BandLab announces expansion of partnership with FUGA to offer worldwide digital music distributionSocial music creation platform BandLab has expanded its existing partnership with FUGA to offer worldwide digital music distribution as one of its promotion tools for artists.
BandLab Distribution is exclusively available through the platform’s paid membership plan. The brand says it is the “first mobile music creation app to empower artists effortlessly from inspiration through recording, mixing, mastering, and ultimately, the release of their music on major platforms.”

READ MORE: UMG and BandLab Technologies team up for “first of its kind” ethical AI collaboration

By using this feature, artists can release their music on platforms such as Spotify, Apple Music, Amazon Music, TikTok and more. Impressively, musicians get to keep 100 percent of their royalties through doing so.
Other marketing and artist services are also available to use, as well as access to exclusive career opportunities. It is available now on the web and is rolling out progressively across Android and iPhone devices globally.
“The success of BandLab users powering the charts continues to amaze us, and finally launching digital music distribution fully to our BandLab community represents a significant step towards fulfilling our mission to streamline the artistic path and empower creators at every stage of their journey,” says Meng Kuok, CEO and co-founder of BandLab Technologies.
“We firmly believe that artists, regardless of where they are in the world, should have access to tools that enable them to maximise the potential of their creativity, and this feature is tailored to do precisely that.”

Christiaan Kröner, President of FUGA, adds, “BandLab has made pioneering steps in the music industry to provide independent creators with the tools they need to make, share and promote their music with fans across the world.
“FUGA is proud to continue its longstanding partnership with BandLab Technologies and provide its own proprietary technology and service offering as the backdrop to BandLab’s distribution infrastructure. We look forward to continuing to work closely with the BandLab team in a shared commitment and mission to empower global creators.”
BandLab Distribution is available to those with a paid membership. This costs $14.95 a month. Find out more over at BandLab.
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ADC23 Audio Developer Conference – 5 FREE Online Tickets Inside!
Connect with leading audio industry figures at the ADC23 Audio Developer Conference this November. The event can be attended online, and Bedroom Producers Blog is giving away five tickets to five lucky readers! ADC23 is a not-for-profit Audio Developer Conference that will take place on November 13-15, 2023. This London-based event will bring together some [...]
View post: ADC23 Audio Developer Conference – 5 FREE Online Tickets Inside!

How to identify fake Spotify playlistsScammers are amuck on Spotify, making money off of fake and stolen tracks and diluting the pool that pays all legitimate artists. Here is how you can detect and even. Continue reading
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How to find new music so you can learn how your fans can find youLearn about how music fans are finding new music and new artists so you can improve your own chances of being discovered. by Philip Kinsher of Disc Makers Blog When. Continue reading
The post How to find new music so you can learn how your fans can find you appeared first on Hypebot.

How musicians make the most of Spotify Wrapped: Marielle Kraft & moreWith less than a week left for artists to get their accounts ready for Spotify Wrapped 2023, this week’s Hypebot Flashback Friday resurfaces a post on how indie singer-songwriter Marielle. Continue reading
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Watch James Hype show you how to make a remix in just half an hourDo you want to make a remix of one of your favourite tracks but have no clue where to start? Well, you’re in luck. DJ and producer James Hype has shared a video showing how he makes a remix from start to finish, which is just 38 minutes long.
In a lot of cases, tutorials on this topic form part of lengthy (and in some cases, expensive) courses, but Hype has uploaded his walkthrough straight to his YouTube channel to watch for free.

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Hype – known for tracks such as Lose Control and You Give Me A Feeling with Vintage Culture – remixed the track Baby by Quality Control, Lil Baby and Da Baby originally during a livestream.
Taking to Ableton Live, he explains that the reason he decided on remixing this particular song is due to its use in Fred Again…’s popular track, Baby Again.
“I decided I was gonna do a remix, and I thought ‘fuck it, let me do it on a livestream,’ because… makes sense,” he says, before firstly using vocals only, cutting them up, and adjusting the tempo to kick things off.
He then goes on to figure out the key of the vocals, before experimenting with presets and beats. Watch the full video below:

Towards the end of the video, Hype responds to a comment received during the stream which states they didn’t think his mastering chain would be as simple as it is: “Honestly man, you don’t really need very much to master something. I mean, I don’t know what a professional mastering engineer does but a lot of my stuff I’ve mastered myself. Like Lose Control, no one else touched that I did the whole thing.”
James Hype offers a further in-depth production course which focuses on songwriting, how to create “huge drops”, and how he uses sample libraries, plus more. Head to Digital DJ Tips to find out more.
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accentize DialogueEnhance DialogueEnhance is an intelligent automatic speech processing tool. You can use it to easily enhance the quality of your speech recordings without having to adjust many parameters. No matter... Read More

Universal Audio’s LUNA DAW now FREE for all Mac usersUniversal Audio has made its DAW, LUNA, free to download for all Mac users for the first time.

READ MORE: Black Friday deals 2023: Best early deals for music producers, DJs, beatmakers and musicians

Previously, LUNA was made available only to Mac users who’d purchased Universal Audio hardware, such as its UA Apollo audio interface. Now for the first time, you can grab it for free whether you’re a Universal Audio customer or not.
Key features of LUNA – launched in 2020 – include the ability to record an unlimited number of tracks, integrated mixing tools such as Analogue Summing and Tape Machines, the Shape toolkit instrument for ready-to-use sounds, efficient audio quantisation with proprietary algorithms, and compatibility with industry-standard control surfaces and plug-ins. Notably, LUNA promotes a seamless workflow through a smart tool and session browser.
Universal Audio’s Product Manager Connor Sexton, says, “We are thrilled to make LUNA, our award‑winning DAW, free to all Mac users. No UA hardware and no purchase required. With LUNA and the LUNA Pro Bundle your music will have album‑quality sound from the start.”
Credit: Universal Audio
In addition to the free LUNA DAW, UA has introduced the LUNA Pro Bundle, a $399 collection of UAD plugins and LUNA extensions co-created with renowned brands in the pro audio industry.
This bundle consists of UAD’s Ampex ATR-102 Master Tape Machine & LUNA Extension, the API 2500 Bus Compressor & LUNA Extension, the API Preamp, the API Summing LUNA Extension, the API Vision Channel Strip & LUNA Extension, the Century Tube Channel Strip, the Galaxy Tape Echo, the Oxide Tape Recorder, the PolyMAX Synth, the Pultec Passive EQ Collection, the Pure Plate Reverb, the Studer A800 Tape Recorder & LUNA Extension and the Teletronix LA-2A Leveler Collection.
As we close in on Black Friday on 24 November, a time when brands slash their prices or make products completely free, MusicTech is keeping a firm eye on the best deals, such as this one. Universal Audio is not the only brand to get in on this though – Soundtoys announced last week that it was making its Little Plate reverb plugin free until 1 December 2023.
To download your free copy of LUNA and find out more about the LUNA Pro Bundle, head to Universal Audio.
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Fracture Sounds Blueprint: Greenhead Chimes The second instrument in our Blueprint series was recorded in Fracture Sounds home town of Huddersfield, at Greenhead Park. The team faced tough conditions, recording in between the quacking... Read More

Universal Audio’s LUNA Digital Audio Workstation Is Now FREE (macOS)
Universal Audio now offers its LUNA digital audio workstation for free. The software is currently only compatible with macOS and requires a free iLok user account.. We have a list of the best free digital audio workstations, and LUNA is the latest contender for the top spot. However, it is only available for macOS, so [...]
View post: Universal Audio’s LUNA Digital Audio Workstation Is Now FREE (macOS)

Spitfire Audio Abbey Road Orchestra: Cellos pre-order Abbey Road Orchestra: Cellos provides a 10-player cello section performing a total of 25 articulations in Studio One of the legendary London facility. 

The Chemical Brothers announce ‘In Conversation’ panel in London next monthThe Chemical Brothers will be hosting a panel discussion titled ‘In Conversation’ at EartH Theatre in Dalston, London, next month to mark the release of their new biography.

READ MORE: Grimes performs at event calling for looser AI rules but “disagrees with the sentiment of the party”

Organised in collaboration with Rough Trade, the event will delve into the electronic duo’s three-decade-long career, spotlighting their latest book Paused in Cosmic Reflection. Both Tom Rowlands and Ed Simons will also be sharing some “rare insight” into The Chemical Brothers’ exciting world and journey.
The panel is chaired by author and journalist Miranda Sawyer, who will be engaging in a conversation with the book’s co-author Robin Turner, along with Adam Smith, The Chemical Brothers’ longstanding collaborator and artistic director, as well as Justin Robertson, a DJ and contributor to the book.
Tickets to the event, which begin at £35, come with a signed copy of Paused in Cosmic Reflection. There’ll also be a limited entry afterparty in EartH Kitchen with a DJ Set from Justin Robertson.
Announced last June, the biography tells the “definitive story” of The Chemical Brothers, and features hundreds of hours of interviews and unseen photographs from their 30-year career.

In other news, the band have recently lamented the rising costs of touring, bleakly admitting that taking their stage show to the US is “not viable”.
“The costs have gone up so much,” Simons told Billboard. “It’s just not really viable at the moment… I’m apologetic to the people who do want to see us that it is increasingly difficult for us to get to America, because we have had the times of our lives playing there.”
In the meantime, check out our review of the duo’s recent London show here.
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SiriusXM to take on Spotify with all-new $9.99-a-month streaming planSirius XM has announced the launch of a revamped streaming app and an all-new $9.99 a month ‘Streaming All Access Plan’ aimed at “welcoming in a new generation of SiriusXM listeners.”

READ MORE: AI music platform Soundful launches “Soundful Collabs” series with big-name artists

Rolling out in the App Store, Google Play, and on Amazon Fire devices on 14 December, the new SiriusXM app will offer listeners a more personalised, easy-to-use and lean-back streaming experience that “puts discovery at the forefront”, says the company.
Listeners can enjoy four curated sections including Music, Talk & Podcasts, Sports, and a customised For You landing page. The app also sees SiriusXM revamp its playback functionality, with a new media player optimised for each type of content such as transcription and speed control for podcasts.
Other features include greater content discovery, enhanced search, an expanded podcast library, and a new central audio library that boasts offline listening and download capabilities.
According to SiriusXM, new subscribers will be invited to tailor their experience at sign-on by selecting artists, genres, personalities, leagues, and topics that they love. They can then browse through and sample tailored channel recommendations with a simple swipe.
More importantly, it’s not just the music streaming pie that SiriusXM has set its sights on. The company is also attracting listeners with a variety of new original channels and shows. Following the launch of the app next month, SiriusXM will be introducing new guest ‘DJ channel takeovers’ from over 160 of the world’s top artists and bands, ranging from Olivia Rodrigo and Cardi B to Alice Cooper, Luke Combs, and Maren Morris.
“The introduction of the new SiriusXM streaming experience marks a pivotal moment in our history, one that kicks off a new era of innovation at our Company,” said SiriusXM CEO Jennifer Witz. “And this launch is just the beginning; we will continue to iterate and develop our product offerings throughout the next year and beyond as we strive to deliver our subscribers the best listening experience on the go, in the car, and wherever they choose to tune in.”
“From can’t miss live moments to the perfect soundtrack for any occasion, with the new SiriusXM, we are putting our differentiators at the forefront and welcoming in a new generation of listeners, bringing them closer to what they love.”
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Beats’ Studio Pro are an almost-awesome pair of everyday headphonesApple-owned Beats has been slapping the words ‘Studio’ and ‘Pro’ on its headphones since Dr Dre’s inaugural 2008 release. But anyone who’s taken a passing interest in the brand’s lineup knows that Beats headphones are for everyday use – gym sessions, travelling entertainment, listening in the office – not for the recording studio.

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Still, the latest Beats Studio Pro headphones are comfortable and boast an exciting, bass-heavy sound and excellent ANC. They also pack modern features such as spatial audio with head tracking and lossless audio via USB-C. Audiophiles should look elsewhere for their fix, but even ‘pro’ listeners shouldn’t scoff at these slick cans for casual listening. They’d be far too easy to recommend if they had just a few more features.
How comfortable are the Beats Studio Pro?
The Studio Pro’s understated aesthetic follows previous Beats models, with the ‘b’ logo present on the outside of each cup. A hinged, plastic design lets you fold the headphones into the included carry case for protection and portability, which we find useful in our travels. It doesn’t make for the strongest headband design but, after six weeks of rigorous use, we’re yet to detect any signs of breakage.
The headband is comfortable and easily adjustable, too. Through our hours of listening, the UltraPlush earcups rarely become uncomfortable. However, other reviewers with different-sized ears bemoan the one-size approach here. The earpads aren’t replaceable either, which is a disappointment – if the leather begins to deteriorate after the warranty expires, you’ll be forced to buy a new pair.
Image: Beats
The stripped-back design also extends to the tactile buttons – pressing the logo on the left cup will play/pause a track, while buttons above and below manage volume. The system button is on the right cup – we’ll dive into the functions of that shortly.
Do the Beats Studio Pro sound good?
Review channel Snazzy Labs slams the Beats Studio Pro for their poor sound but, remember, these aren’t audiophile headphones or studio reference headphones (despite the name).
For £350, they still pack a powerful sound to our ears. Punchy, deep bass and a crisp high end, the sound profile will suit the target demographic – movie and TV watchers, video game players, and music listeners interested in a diverse range of genres.
Kaytraminé’s K&A sounds awesome on the Beats Studio Pro – the bassline is incredibly deep, while Aminé’s vocal stands out nicely. Comparatively, Shure’s similarly-priced AONIC 50 GEN 2 boast a more natural sound and, as a result, Aminé sounds less sibilant but the overall track is less exciting. With the £999 Dali IO-12, we hear much more detail in the mix and notice that the Beats’ headphones sound a little compressed in comparison.
Fleetwood Mac’s Dreams shines with the Studio Pros. The kick drum and bassline punch through from the off, and Stevie Nicks’ vocal sounds familiarly stellar. The track’s chorus is bright but a little busy in the high end when compared to the meticulous Dali IO-12 – these also give a much better stereo image. The Shure AONICs are similar to the Studio Pros here, but noticeably lack the depth in the bass.
For dance music, we test the Studio Pros with deadmau5’s Alone With You. Interestingly, the kick drum that starts the track sounds more flat than on the AONIC, which better accentuates the weight of the drum. But, admittedly, the entire mix sounds more lively on the Studio Pros. Of course, it sounds its best on the Dali headphones.

The Studio Pros pack spatial audio capabilities with head-tracking. This works as expected, but whether you use spatial audio will be a matter of taste; it’s a nice feature to have, particularly for movies and TV shows.
For lossless listening, you can use the provided USB-C cable to connect to a device with a USB-C port. From here, you can choose from three EQ modes – Signature, Entertainment, and Conversation. Signature is the classic Beats sound, while Entertainment boosts the high-mids and the lows. Conversation effectively cuts the bass for when you need to chat with people nearby. You can also use the 3.5mm analogue input for other wired connections.
How good is Beats Studio Pro Active Noise Cancelling?
Honestly, the ANC on these headphones is superb. Trains, planes and the outdoors are subdued with satisfaction on the Studio Pro. It’s no match for our Nuraphones, but compared to the Shure AONICs, it’s a clear winner. As Soundguys points out, though, if these don’t fit your ears as well as they fit ours, your experience might differ.
You can toggle ANC on iPhone and macOS through your audio options, or via the System button on the bottom of the right can. You also use this to power on the headphones and swap between listening modes when connected via USB-C – the multiple uses of this button become a little frustrating, but it’s alright once you’re used to it.
Note also that they have a little sound leakage, so if you plan on cranking them up on a quiet train, those around you might be able to hear your music.
Beats Studio Pro – Apple’s best headphones?
Marques Brownlee reckons the Beats Studio Pro could be Apple’s best over-ear headphones yet, despite not having Apple’s in-house H2 chip found in the AirPods Max. You’ll still get a few of the Apple-esque features – fast pairing, for example – but, frustratingly, there are some features that Beats’ Studio Pros are missing that you’ll find not only on Apple’s AirPods Max, but in plenty of competing headphones.

For one, multipoint connectivity is only for Google Android users. For Apple users, this is a letdown and means you’ll have to manually connect the Studio Pros every time you want to change your audio device. For a product that could be seamlessly baked into the Apple ecosystem, this is just annoying. There’s also no dedicated app, as found on Android phones, for adjusting settings. You are able to use Siri and the Find My feature with Apple devices, at least.
However, the Bluetooth connectivity is Class 1, giving you excellent connection range. The 24-hour battery life (40 hours without ANC) is standard but they take a while to go into standby mode – instead, they deplete battery for a while when you take them. They also don’t auto-pause your audio when you remove them from your head, which many other headphones in this price bracket do. Apple’s fast-charge is on offer, at least, giving you four hours of playback on 10 minutes charge.
Should you buy the Beats Studio Pro headphones?
The Beats Studio Pro will be a fine fit for anyone who wants a simple, classy-looking and fun-sounding pair of headphones for various uses. They’re so close to being amazing, but sadly fall short on missing just a few features. And if you can try the Beats Studio Pro on before you buy to get a sense of the fit, definitely do that.

For the same price, there are plenty of other options that might pique your interest. It’s worth taking a look at Bose’s QuietComfort headphones and Sony’s reputable WH-1000XM5 if you’re unsure.
We wouldn’t use them for any critical listening sessions or for producing music, but the Studio Pros have been perfectly reliable for travelling, taking a walk, and other easy-going environments. We’ve already seen the Studio Pros out in the wild on trains, city streets and on planes. We were even sat in between two other passengers on a flight sporting them as we were. You can expect to continue spotting that iconic ‘b’ logo in your travels, too.
Key Features

Beats Signature sound
Spatial Audio compatibility
Active Noise Cancelling with transparency mode
Lossless audio via USB-C with three EQ modes
3.5mm analogue input
Foldable design
Carry case included
40 hours of battery life or 24 hours with ANC enabled
Class 1 Bluetooth

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