JH Audio acquired by Sound Devices Sound Devices have announced the acquisition of Florida-based in-ear monitor manufacturer JH Audio, a deal which brings together two established pro audio companies under the Audiotonix group.

Bark Instruments Drone QuestYour Synthesizer for Endless, Evolving Drones. A versatile collection of sounds is available – from gentle, meditative drones to deep, atmospheric textures, to cinematic, resonant soundscapes. All sounds are based on additive synthesis and can be shaped and developed according to your own vision. • Inspired by the Shruti Box Two independently tunable voices: one root, one relative – for rich, layered drones. • Rich Sound Through Harmonic Synthesis Dual oscillators generate complex waveforms with overtones, saturation, and morphing. • Advanced Modulation for Evolving Soundscapes Up to 296 modulations – each overtone individually animated for deep, organic movement. • Randomizer Instant inspiration with smart randomization – always fully tweakable. Check out the 14-day trial. Read More

Unique instruments and equipment from David Lynch’s home recording studio to go up for auctionOver 400 items that belonged to filmmaker David Lynch are due to go up for auction this month, including unique musical instruments and audio equipment from his home studio.
The auction is being hosted by Julien’s Auctions and Turner Classic Movies, and will take place on 18 June live and online from Julien’s Studios in Los Angeles. Lynch was behind famous works such as Twin Peaks, Eraserhead, The Elephant Man, and more. He died in January 2025.

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Among the collection is a 1997 Parker Fly electric guitar and a Roland VG-8EX guitar synthesiser system with original manual, 13 pin cable, and expression pedal. Both were heavily played by Lynch while producing numerous musical projects including his solo debut album, 2011’s Crazy Clown Time and its follow up, The Big Dream (2013).
Also listed is an unusual Danny Ferrington Custom five neck guitar, plus a Yamaha Motif 7 synth keyboard and a Korg Micro X. A number of Bang & Olufsen audio systems are also listed – namely a pair of Beosound A9 speakers, one with a limited edition David Lynch cover featuring his “Paris Suite” artwork.
Other listings include a 1980s E-Mu Systems E III Model 6083 keyboard sampler workstation, Audio-Technica microphones and accessories, a personal collection of his own music, and numerous effects pedals from the likes of Boss, MXR, DigiTech and more.

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Catherine Williamson of Julien’s Auctions comments, “These historical and cherished pieces reflecting David Lynch’s singular artistic vision, as well as his passions and pursuits ranging from his director’s chair, espresso machine to his guitar, record collections and Twin Peaks style decor, come directly from the home of the visionary artist whose enigmatic films stirred our most imaginative and collective surreal dreams.”
To view the full David Lynch collection, head over to Julien’s Auctions.
The post Unique instruments and equipment from David Lynch’s home recording studio to go up for auction appeared first on MusicTech.

💬🔥 Monthly Deals & Freebies Thread
Welcome to the BPB Community Weekly Freebie Thread for June 2025! 😊 Read the Thread Guidelines 💬 This section of our community is where BPB readers can share links to the latest freeware news and deals with fellow music producers in the comments. Thank you for contributing! To keep the discussion helpful and relevant, please follow [...]
View post: 💬🔥 Monthly Deals & Freebies Thread

“See you later, oscillator”: Ricky Tinez steps back from his YouTube channel to work at AppleRicky Tinez, an artist and music production educator on YouTube, is stepping back from his channel for a new career with Apple.
Tinez has also stepped down from his role as brand manager at Elektron for his new career move, though he assures all was left on a good note. He will be joining Apple’s worldwide product marketing team. Tinez’s YouTube channel spans videos from across nine years, and features content on production tips and tutorials, gear reviews, and more.

READ MORE: Apple Logic Pro 11.2 and 2.2: Stem Splitter, Flashback Capture, ChatGPT and everything else you need to know

Tinez will be the new product manager on the music creation apps team with Apple, which means he’ll be working on Logic, GarageBand, Voice Memos, and MainStage. In his new YouTube video, he says, “What’s really nuts about this position is when I read the description of it, the first thought that came to mind was, ‘did I write this description?’ Because it was so in line with what I want to do and the original purpose of this YouTube channel.
“The whole reason this channel even exists [was] for me to be able to help as many people as I could make more music by providing information, some inspiration, and explaining the tools available to help you make more music you could be proud of.”
He adds, “I’ve been an Apple user forever so to actually be able to help shape the direction of these products and know that they’ll have an impact for many creatives like you and myself is just freaking cool. So with all that being said, what this all means is I’m going to take a pause from the channel for now. I think you can appreciate I’m going to be pretty damn busy.”
Tinez says he still may try to upload content “a little here and there”, but doesn’t make any promises. He concludes, “This dream probably wouldn’t have come true without the help of you and your support, your viewership, just being an awesome community of people. I am forever grateful to you… This isn’t goodbye, but maybe so long. See you later oscillator.”
You can watch the full video below:

The post “See you later, oscillator”: Ricky Tinez steps back from his YouTube channel to work at Apple appeared first on MusicTech.

“It’s a weird kind of wanky, tech-bro nightmare future”: Radiohead’s Thom Yorke says AI does nothing more than “steal” from human artistsRadiohead frontman Thom Yorke is the latest artist to speak out against the rise of AI in the music industry, slamming its lack of “genuine original creative thought” and the way it “steals” from human artists without proper credit.
In a recent chat with Electronic Sound magazine, Yorke offers a scathing critique of Artificial Intelligence’s creative limits – and the exploitative systems behind it.
“As far as I can tell in music and art and all creative industries, Al is so far only able to ‘create’ variations on genuine human artistic expression, and those are obvious,” says Yorke. “Is Al capable of genuine original creative thought? I have yet to see that.”

READ MORE: Snoop Dogg embraces AI in new music video — and, yes, it’s kinda weird

He adds that AI “analyses and steals and builds iterations without acknowledging the original human work it analysed”: It creates pallid facsimiles, which is useful in the same way auto-accompaniment is useful, or a screensaver of a beautiful natural landscape in a billionaire’s bunker is.”
The musician also condemns the wider tech industry and its apparent disregard for human labour and authorship, saying, “The economic structure is morally wrong… the human work used by AI to fake its creativity is not being acknowledged. Writers are not paid.”
“It’s a weird kind of wanky, tech-bro nightmare future, and it seems this is what the tech industry does best. A devaluing of the rest of humanity, other than themselves, hidden behind tech. In the US right now, we are witnessing this spilling over into politics.”
As Yorke explains, AI’s rise is only the latest step in a long trend of reducing art to mere “content.”
“We are, in modern parlance, ‘creatives,’” he says. “Which is a term I find deeply offensive because it arrived around the time that art morphed into ‘content’ for devices.”
The Radiohead singer is also among 10,500 signatories (which also included The Cure’s Robert Smith and ABBA’s Björn Ulvaeus) of an open letter from the creative industries protesting the unlicensed use of their work by AI companies.
“The unlicensed use of creative works for training generative AI is a major, unjust threat to the livelihoods of the people behind those works, and must not be permitted,” the statement read.
AI’s rapid advancement and the ethics surrounding how it’s trained has become the subject of fierce debate in recent months. Nick Clegg, former UK deputy prime minister and ex-Meta head of global affairs, recently argued that requiring companies to seek artists’ express permission before using their work to train AI models would “basically kill the AI industry in this country overnight.”
Sir Elton John, meanwhile, has branded the UK government as “absolute losers” over its plans to allow AI companies to train their models using copyrighted content.
The post “It’s a weird kind of wanky, tech-bro nightmare future”: Radiohead’s Thom Yorke says AI does nothing more than “steal” from human artists appeared first on MusicTech.

Thousands of Netflix fans gather for TudumNetflix released a flurry of announcements and trailers around high-profile projects including “Squid Game,” “Wednesday,” and “Stranger Things 5” last night at its annual Tudum marketing event. While this year’s Tudum (made for the sound that plays when you open the app) was livestreamed for the first time on Netflix itself (as opposed to YouTube), […]

It’s MIDI for the TRS-80!The Radio Shack TRS-80 was a much-loved machine across America. However, one thing it lacked was MIDI. That’s not so strange given the era it was released in, of course. Nevertheless, [Michael Wessel] has seen fit to correct this by creating the MIDI/80—a soundcard and MIDI interface for this old-school beast.
The core of the build is a BluePill STM32F103C8T6 microcontroller, running at a mighty 75 MHz. Plugged into the TRS-80s expansion port, the microcontroller is responsible for talking to the computer and translating incoming and outgoing MIDI signals as needed. Naturally, you can equip it with full-size classic DIN sockets for MIDI IN and MIDI OUT using an Adafruit breakout module. None of that MIDI Thru nonsense, though, that just makes people uncomfortable. The card is fully capable of reproducing General MIDI sounds, too, either via plugging in a Waveblaster sound module to the relevant header, or by hooking up a Roland Sound Canvas or similar to the MIDI/80s MIDI Out socket. Software-wise, there’s already a whole MIDI ecosystem developing around this new hardware. There’s a TRS-80 drum tracker and a synthesizer program, all with demo songs included. Compatibility wise, The MIDI/80 works with the TRS-80 Model I, III, and 4.
Does this mean the TRS-80 will become a new darling of the tracker and chiptune communities? We can only hope so! Meanwhile, if you want more background on this famous machine, we’ve looked into that, too. Video after the break.

VG Trumpet VG Jazz Soprano Saxophone VIYouTube/luq861NJ4Wg Virtual Instrument, VST, AU plugins, standalone application. Made by a musician, for musicians—designed to inspire and enhance your music: Five of the most common types of saxophone style sounds: Subtone, Warm, Smooth, Bright and Lead. It works with Windows and Mac as a standalone and will run as a plugin in all major DAWs (Cubase, Logic Pro, Ableton Live, Reaper, FL Studio etc.) as VST/VST3/AU. Compatible with breath controllers (AirMotion, TEControl, MRTAudio), wind controllers (AKAI EWI4000s, EWI5000, Solo, Roland Aerophone AE-10, AE-20, Pro AE-30, Yamaha WX, Yamaha YDS, Berglund NuEVI, NuRad, EMEO, Robkoo R1, Clarii mini, etc.), and MIDI keyboard controllers. More than 420 unique samples. Recorded sample quality: 24-bit / 44.1 kHz. Custom designed, unique GUI. Aftertouch, Mod Wheel, and Keyswitches are the key features to morph and perform sounds while playing. Articulations: Falls, Squeezes, Soft attack, Accented attack, Bend. Expressive effects: Expression, Attack, Vibrato, Growl, Wah. Reverb, delay and stereo control to fit the instrument in every mix. Designed for electronic wind instrument performers, sound designers, and music producers. VG Jazz Soprano Saxophone Virtual Instrument Quick Start Guide (PDF). YouTube/vaHaLQf7gBQ YouTube/UPzjAIkBSrc YouTube/qeyhBVAvYAQ YouTube/2o4dKVkIv3k Read More

SED-CSM from Rides In The Storm The latest addition to the Rides In The Storm line-up is a pre-patched synth voice that packs in a pair of VCOs and three sub-VCOs, a wavefolder, a ring modulator, two ASDR sections, a pair of LFOs, a VCF and a VCA.

Sounds and Visions: Paul McCartneyBy Shana Nys Dambrot Rearview Mirror: Photographs, December 1963–February 1964 April 25–June 21, 2025 Gagosian, 456 North Camden Drive, Beverly Hills Our appetite for pictures of the Beatles is boundless across their many eras, but none so captivating as the early years. Regarding the fresh-faced, unbounded joy of their youth, balanced on the precipice of the mania that exploded circa 1963, with their floppy bangs and cute suits—it’s poignant to recall that innocence now, on the far side of decades. What makes Gagosian Gallery’s exhibition featuring photographs of that era unique, even amid the ocean of iconic existing pictures of that time, is that these were captured from the inside, by the ultimate insider photographer—Paul McCartney himself, and he’s really good at it. The three dozen assembled works are but a selection culled from a larger traveling project—Paul McCartney Photographs 1963–64: Eyes of the Storm, which debuted at London’s National Portrait Gallery in 2023 and is currently on view at the de Young in San Francisco through July 6—but the exhibition design goes to great lengths to evoke a museum setting with precious ephemera, enlarged contact sheets, and nostalgic video and sound augmenting the selection of moody self-portraits, jovial and pensive candid moments, crowds chasing them down city streets, and historic locations. Overall, the effect is like if Whit Stillman did a remake of A Hard Day’s Night. Actually, can someone make that happen please? Beyond the content, which would be compelling regardless, what comes through is McCartney’s genuine curiosity about his broadening horizons, and a desire to document and remember what it was like to experience it; seeing familiar moments through his reverse perspective feels fresh. As well, he was friends with artists, and it shows. The finesse of his instincts is genuinely impressive—for framing, finding decisive moments, teasing out intimacy and empathy in portraits of his cohort, embracing the lowkey and totally understandable ego in self-portrait mode, his sophisticated use of light and architectural opportunities, and his presence of mind in the face of his life changing in real time. gagosian.com/exhibitions/2025/paul-mccartneyThe post Sounds and Visions: Paul McCartney first appeared on Music Connection Magazine.

Bitcoin advocate Max keiser casts doubt over new BTC treasury companiesNewer Bitcoin treasury companies have not yet been battle-tested in prolonged bear market conditions, the Bitcoin maximalist said.

Up Close: K&K Insurance Group, Inc.kandkinsurance.comOrigin in Motorsports: Decades before K&K Insurance became a leading provider of sports, leisure, and entertainment insurance, its co-founder, Fort Wayne, IN businessman Nord Krauskopf, was a popular stock car racer. In the late '40s, the only insurance for this high-risk sport consisted of individual racers contributing to a fund that would help cover the costs in the event of an accident. Aware of a gap in the market, Krauskopf and his wife Teddi pitched a plan to Lloyd’s of London to create specialized insurance for race car drivers. Eighteen years after launching K&K Insurance for this purpose in 1952, their dedication to motorsports resulted in winning the Grand National Championship. In the '60s and '70s, they expanded into festival and fair insurance, and in the '80s took a broader approach that included sports, leisure, and event organization across the U.S. and Canada. Over the past 70+ years, K&K has also become one of the largest providers of insurance and claims resolution services for recreation, motorsports, and event organizations. Driven by their trademarked branding motto “Insuring the World’s Fun,” the company offers over 80 specialty insurance programs in numerous categories—ranging from Camps and Campgrounds, Events and Attractions, and Venues and Facilities to Instructors, Schools and Product Liability Insurance.Essential Operations: Staffed with experienced examiners, litigation specialists, and management personnel, K&K’s claims team offers decades of experience in the investigation and resolution of claims, providing quality claims management. The company employs more than 250 agents who perform a variety of traditional insurance company functions on behalf of the insurance companies they represent, allowing them to provide stellar service in sales, marketing, underwriting, loss control, and claims resolution. Through active involvement in industry associations, events, and conventions, its staff stays connected with current industry trends and challenges. Liability Insurance for Musicians: According to K&K Marketing Manager Lorena Hatfield, the company’s claims staff is well versed on the types of risks musicians face when they’re performing at an event, festival, or concert venue. If something should happen that prompts an audience member or facility owner to sue, the performers are often drawn into the lawsuit—and without insurance, they need to hire an attorney to determine liability. Whether it’s injury or property damage, with insurance coverage, K&K manages the process, reducing a musician’s stress considerably. Many facilities require this coverage in advance. There are three criteria for insuring musicians: 1) A group must have at least one member or representative who is at least 18 years old; 2) Annual gross income from the performing group’s activities cannot exceed $500,000 ($300,000 for an individual musician); and 3) No more than 30 members in a performing group. Coverage options are offered for both individual Performer’s Insurance and Entertainer and Musicians (Group) Program.Contact K&K Insurance Group, Inc. 800-637-4757 The post Up Close: K&K Insurance Group, Inc. first appeared on Music Connection Magazine.

Left-leaning influencers embrace Bluesky without abandoning X, Pew saysIt’s no surprise that many big, left-leaning social media accounts have recently joined Bluesky — but a new analysis from the Pew Research Center attempts to quantify that shift. This comes as an update to Pew’s news influencer report released in November 2024, which did not include Bluesky in its numbers. The report focused on […]

Hot Rod Backyard Bath on Steel Spring LegsIn a fusion of scrapyard elegance and Aussie ingenuity, [Mark Makies] has given a piece of old steel a steamy second life with his ‘CastAway Tub’. Call it a bush mechanic’s fever dream turned functional sculpture, starring two vintage LandCruiser leaf springs, and a rust-hugged cast iron tub dug up after 20 years in hiding. And put your welding goggles on, because this one is equal parts brute force and artisan flair.
What makes this hack so bold is, first of all, the reuse of unforgiving spring steel. Leaf springs, notoriously temperamental to weld, are tamed here with oxy-LPG preheating, avoiding thermal shock like a pro. The tub sits proudly atop a custom-welded frame shaped from dismantled spring packs, with each leaf ground, clamped, torched, and welded into a steampunk sled base. The whole thing looks like it might outrun a dune buggy – and possibly bathe you while it’s at it. It’s a masterclass in metalwork with zero CAD, all intuition, and a grinder that’s seen things.
Inspired? For those with a secret love for hot water and hot steel, this build is a blueprint for turning bush junk into backyard art. Read up on the full build at Instructables.