• From Ed Sheeran’s second ‘Let’s Get It On’ lawsuit victory to the 3 majors’ joint $2.9m per hour… it’s MBW’s Weekly Round-UpThe biggest music biz headlines from the past week, all in one place
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  • ‘Our ambition is to sign acts with the best talent and break them on a global scale.’Jamie Spinks, Head of A&R at Columbia in the UK, on how A&R is evolving, and more...
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  • Joe Bonamassa Touts Blues Roots on “I Want To Shout About It”Having just earned a remarkable 26th  No. 1 on the Billboard Blues Chart for his sprawling and extensive live concert film and album Tales Of Time, the blues rock icon Joe Bonamassa (MC's June Cover Star) is back with a brand-new single from his highly anticipated new studio album, due out later this year on his J&R Adventures label. Joe shows off his blues roots with a captivating rendition of “I Want To Shout About It” originally performed by Ronnie Earl and the Broadcasters. Bonamassa’s joyful version features solos from Reese Wynans on organ and Paulie Cerra on sax, as well as some killer adlibs from vocalists Dannielle DeAndrea and Charles Jones as the track winds to a close. Bonamassa called upon his close friend, bandmate and co-producer Josh Smith to produce this track. Smith recalls, “Shout About It is a song originally by the great Ronnie Earl and the Broadcasters with Darrel Nullisch on vocals. It's a tough/high song to sing and Joe really pushed himself and nailed it. It's a real rave up, a party song. Joe has been playing it live lately and the crowds are really digging it!”

    Bonamassa has been performing “I Want To Shout About It” live on his current tour and is receiving an enthusiastic response from his audiences. His summer is packed with live shows in the US and Europe beginning with the Capitol Theatre in Yakima, WA on Friday, May 26th and ending May with Kenny Wayne Shepherd at the Backroads Blues Festival in Bend, OR and Seattle, WA. After 3 weeks of performing on Europe Festivals in July, Joe will be back in the states for a US summer run and to make his debut appearance at Hollywood Bowl on Wednesday, August 9th, with an exclusive, one-night-only concert experience alongside an orchestra, which will be recorded for his next live concert film. Then the hardest working bluesman in show business begins his US Fall Tour on October 23rd at The Cannon Center in Memphis, TN, which will take him from coast-to-coast to end at the guitar shaped Hard Rock Live in Hollywood, FL. For more information and to purchase tickets, click HERE.

    Having just earned a remarkable 26th  No. 1 on the Billboard Blues Chart for his sprawling and extensive live concert film and album Tales Of Time, the blues rock icon Joe Bonamassa (MC’s Jun…

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  • May Is MIDI Month live stream The MIDI Association will be live streaming a round table discussion with the winners of last year's MIDI Innovation Awards as part of their May Is MIDI Month campaign.

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  • Free OverHeat saturation plug-in from Sampleson Sampleson's latest release offers the company's take on analogue-style saturation, and is free for anyone to download. 

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  • Cruise, Waymo near approval to charge for 24/7 robotaxis in San FranciscoSelf-driving vehicle companies Waymo and Cruise are on the cusp of securing final approval to charge fares for fully autonomous robotaxi rides throughout the city of San Francisco at all hours of the day or night. 
    Amid mounting resistance to the presence of AVs in the city, the California Public Utilities Commission (CPUC) published two draft resolutions late last week that would grant Cruise and Waymo the ability to extend the hours of operation and service areas of their now-limited robotaxi services. 
    The drafts are dated for a hearing June 29, and there’s still room for public comments, which are due May 31. Based on the CPUC’s drafted language, many of the protests raised by the city of San Francisco have already been rejected. 
    City agencies have called out the string of (mainly) Cruise vehicles that have malfunctioned and stopped in the middle of intersections or even on light rail lines, impacting the flow of traffic and obstructing both public transit and emergency responders. The series of incidents, documented on social media and online forums, has led to an investigation into Cruise by the National Highway Traffic Safety Association.
    Armed with these examples, the city has urged the CPUC to move cautiously, set up workshops, collect more data, prohibit robotaxi deployment downtown and during peak hours, and limit the expansion of fleet sizes.

    Autonomous Cruise car encounter with police raises policy questions

    Robotaxis have already caused issues in the city from both a traffic flow and safety perspective, something that will only be exacerbated once an uncapped number of AVs flood the city, the city argues. Neither Cruise nor Waymo would share exactly how many AVs they currently have in San Francisco. A Waymo spokesperson said the company has “a couple hundred cars” in each of its fully autonomous branded “Waymo One” service areas.
    “San Francisco expresses concerns about expansion of commercial service into peak hours of the day as stoppages and delays are likely to impact significantly more passengers both on the impacted transit line(s) and systemwide,” reads the CPUC’s summation of objections raised by the San Francisco Municipal Transportation Authority (SFMTA), the SF County Transportation Authority (SFCTA) and the Mayor’s Office of Disability. 
    “Further, San Francisco describes unplanned stops and unsafe maneuvers by Cruise AVs that have impacted emergency responders. These include incidents where a Cruise AV obstructed a fire department vehicle traveling to an emergency, ran over a fire hose, or improperly entered an emergency scene.”
    The CPUC has countered that San Francisco’s arguments are not “within the grounds for a proper protest” because it would “require relitigating a prior order of the Commission” and because a protest can’t rely “purely on policy objections.” The Commission has also noted that the California Department of Motor Vehicles, not the CPUC, has authority over Cruise and Waymo’s approved operational design domains — which include service areas and hours of operations.
    In San Francisco, Cruise and Waymo have had to secure a series of permits from city agencies in order to put robotaxis on the road. The DMV approves requests to test and deploy autonomous vehicles, and the CPUC grants permission to charge passengers for fares.
    Cruise’s current permits allow it to offer a fared passenger service in limited areas of San Francisco from 10 p.m. to 6 a.m., as well as a free passenger service throughout the city at any time of the day — both without a safety driver present. As of late April, Cruise has only opened up the fully autonomous city-wide service to employees. 
    Waymo’s paid service, which is available throughout San Francisco at any time of day, must have a human safety driver present. The company’s fully autonomous (meaning with no safety driver) robotaxi service that operates throughout the city is still free. Waymo also offers a free service with a safety driver present in parts of Los Angeles and in and around Mountain View. 
    If and when the CPUC authorizes the two competitors to start charging passengers for driverless rides, Waymo and Cruise will be on equal footing in the city. At least from a regulatory perspective. 
    Receiving authorization doesn’t mean Waymo and Cruise will immediately start operating full-scale commercial operations in San Francisco. 
    A spokesperson for Waymo said the company intends to “expand thoughtfully and with safety as our highest priority.” 
    Cruise did not provide a comment.
    Cruise, Waymo near approval to charge for 24/7 robotaxis in San Francisco by Rebecca Bellan originally published on TechCrunch

    The CPUC's drafted resolutions would grant approval to Cruise and Waymo to charge passengers for fully autonomous rides in San Francisco.

  • Applied Acoustics Systems Lounge Lizard EP-4 - Space Walk Prepare for a journey into the musical stratosphere with Space Walk for Lounge Lizard. Crafted by long-time AAS collaborator Thiago Pinheiro, these 100 presets take you on a sonic voyage... Read More

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