Public needs to know blockchain use cases, AI needs regulation now — Andrew YangThe former presidential candidate spoke at NABS about opportunities the United States may be missing to blockchain and AI for the public good.

RELEASE DETAILS
Release title:
Rhyme Felony
Main artist name:
Sina Arpa,Ahorock
Release date:
13th Feb, 2021
https://publme.lnk.to/AnxietyMeditation
#newmusic #Release #Music #indepedent #artist #hiphop

RELEASE DETAILS
Release title:
Trios
Main artist name:
Kid Rap,KingPollo,Pleco Nation
Release date:
7th Oct, 2023
https://publme.lnk.to/Trios
#newmusic #Release #Music #indepedent #artist #hiphop #RnB

RELEASE DETAILS
Release title:
Fishes 1
Main artist name:
Pleco Nation
Release date:
4th Oct, 2023
https://publme.lnk.to/Fishes1
#newmusic #Release #Music #indepedent #artist #hiphop #trap

RELEASE DETAILS
Release title:
A Heavenly Mess
Main artist name:
Verti
Release date:
3rd Nov, 2023
https://publme.lnk.to/AHeavenlyMess
#newmusic #Release #Music #indepedent #artist #hiphop

Bad Humors Is A New FREE Effect Sequencing Plugin
Bad Humors is a newly released free effect sequencing plugin for Windows, MacOS, and GNU/Linux. The open-source plugin is available on GitHub by a developer who goes by niflheimmer on the site, although they also go by Circuitdust on YouTube. Bad Humors is designed to “give you some creative effects to use in one place, [...]
View post: Bad Humors Is A New FREE Effect Sequencing Plugin

WMG’s Robert Kyncl expects more artist-centric streaming deals, and 2 other things we learned on the company’s latest earnings callWarner Music Group's CEO weighed in on YouTube's new AI tool that clones superstars' voices, and said he's talking to politicians about AI regulation.
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Steinberg release fresh Nuendo update with unique features for “immersive sound mixing”It doesn’t seem long since Steinberg launched Cubase 13, but now it’s released Nuendo 13 too.

READ MORE: Black Friday deals 2023: Best early deals for music producers, DJs, beatmakers and musicians

The new software includes a completely integrated workflow allowing you to authorise and mix content for the MPEG-H audio format, as well as some mouth-watering new features and improvements.
Plenty of features added to Cubase 13 have been added to the latest Nuendo update too. These include a revamped MixConsole, and a Channel Tab which will give you access to all of a channel’s important parameters. Headphones Match has also been updated with an extra five models, while there are more design tools than previously, too. Take the Steinberg Vocoder, which offers up to 24 filter bands, sidechain input, and in-depth control. And, the EQ-P1A and EQ-M5 equalisers and the Black Valve and VoxComp compressors are all-new, too.
There are some great dialogue editing and ADR tools, with new features that make it an improvement on its predecessors. Take, for example, the offline TonalMatch process, which allows you to analyse characteristics of audio recordings, and the VoiceSeparator plug-in, which is based on AI, and allows you to isolate dialogue.
Then there’s the new VocalChain plug-in, which includes dedicated modules for the various steps of voice processing – with a wide range of presets for post-production exclusively. And with ADR Script Reader, ADR takes will be displayed through your web browse, giving the voice talent a digital script, and giving the editor the means to both change it and add notes too.
You can use Nuendo 13 on Macs running at least macOS 12, and on PCs running at least Windows 10. It’s priced at £859, while there are various upgrade and crossgrade options available. Meanwhile, if you’ve activated an earlier version of Nuendo 12 from 18 October onwards, you’ll be eligible for a free update to the new version.
For more information, head to the Steinberg website, or check out the video below:

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Vicious Antelope Solar System: Floating - Pigments Solar System: Floating contains 106 sci-fi themed cinematic atmospheres for Arturia Pigments and Analog Lab V. The main characteristic of the soundbank is the slow rising sounds, the heavy... Read More

CreateSafe, the company behind Grimes AI, raises $4.6m in seed roundFunding round was led by Polychain Capital
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Soundtoys announces $53,640 donation to the International Rescue CommitteeSoundtoys has made a donation of $53,640 to the International Rescue Committee (IRC), Sound On Sound has reported.

READ MORE: Black Friday deals 2023: Best early deals for music producers, DJs, beatmakers and musicians

In March 2022, the company announced that they’d be donating 100 per cent of sales revenue from the Radiator plug-in to not-for-profit organisations, so that their customers can help people in need.
And now, they’ve followed through with this donation to the IRC, which helps people in crisis around the world. Among the countries in which the IRC operate include Afghanistan, Yemen, Somalia, and the Democratic Republic of the Congo. On its website, Soundtoys has thanked its customers for their “support and willingness to get involved.”
Ken Bogdanowicz, founder of Soundtoys, said: “It can be disheartening to see so much division and violence in the world, but I’m always encouraged by the outpouring of support we get when we try to raise awareness and support for the causes that we believe in.
“We’re proud of the work the International Rescue Committee is doing, and we’re proud of our creative and caring community who continue to help us help others.”
Meanwhile, IRC has said, “The humanitarian imperative, and the principles of neutrality, impartiality, independence, and humanity which drive it forward have never been more needed.”
And Soundtoys has said that it’ll be continuing to donate revenue from sales of the Radiator plug-in to not-for-profit organisations. Next up will be Médicins Sans Frontières (MSF), or Doctors Without Borders, which provides medical care for people in places affected by natural disasters or conflict.
Other organisations Soundtoys has previously supported include World Central Kitchen, the American Civil Liberties Union (ACLU), the Red Cross Society of Ukraine, and the Migrant Offshore Aid Station (MOAS). Over the years, it’s raised over $780,000 for worthy causes.
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More than 50% of Grammy 2024 Nominations went to independentsMore than half of all 2024 Grammy nominations went to independent artists and labels according to A2IM (American Association of Independent Music). “A2IM offers its heartfelt congratulations to the independent. Continue reading
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Music Health Alliance offers healthcare help for musiciansMusic Industry 360 is our music industry podcast that aims to educate new and existing musicians about tools in the industry, while sharing knowledge to help artists take their careers. Continue reading
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QUICK HITS: Machin + Virgin • Brooklyn Basement expands • GoldState + Flexpoint Ford •Machin & Equinoccio Records have signed a worldwide agreement with Virgin Music Group.  The independent labels, founded by legendary Mexican singer, songwriter, and producer Pepe Aguilar, both focus on the Regional Mexican genre. • Brooklyn. Continue reading
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For the love of sound : How vintage hi-fi sound systems are driving boutique club nights forwardFor the at-home enthusiast, audio gear from the 70s and 80s is highly prized – and the price and rarity often reflect this. Older brands, such as Klipsch, Sansui, and Altec Lansing made consistently high-quality audio equipment, while today’s major brands, like Bose, Pioneer, JBL, and Sony had their moments of brilliance too.
READ MORE: Majority’s Teton Plus raises the bar for what an entry-level home AV system should aspire to
Using this vintage equipment in bars and clubs is a much trickier endeavour. The gear is far pricier and rarer, the speakers less efficient, and the amps less powerful. Yet, it is also this equipment, or designs and components used in this vintage gear, which is most sought after by some of the best-sounding bars, clubs, and speaker designers around.
To find out more, we hear from two legendary club nights and sound systems, London’s Beauty and the Beat and Leeds’ Cosmic Slop; head honcho of Rhythm section Bradley Zero and his excellent new bar Moko in London, Tottenham; custom speaker designer Friendly Pressure; and legendary London hi-fi store Audio Gold.
Beauty And The Beast setup
Why go vintage?
Some reasons for purchasing vintage gear are rational, others are emotional. On the latter point, a chrome face, power gauges, analogue dials, and the glowing valves of an old system are rewarding to feel and see. On the former, they often sound excellent. It’s hard to quantify, as the senses remain subjective, but older audio components are known for their relaxed, warm sound, thanks to the analogue circuitry. This is usually in contrast to the cleaner and more detailed characteristics of modern audio.
Custom speaker maker Friendly Pressure, based in London, plans and builds custom speakers for home or venue use. In the words of founder and owner Shivas Howard Brown, FP aims to combine the sound and component quality of vintage speakers with modern manufacturing techniques such as 3D printing – as shown below sitting nicely at Moko.
Friendly Pressure, Image: giftyphotographer
On the rational side of why and how, Shivas explains that older speakers use materials that are simply harder to come by nowadays – resistors and transistors, for example. Secondly, the majority of the audio market is focused on PAs for public venues rather than home sound systems. In addition, the ways we recreate and amplify sound – in all but the higher end of audio equipment – have swapped quality for efficiency, and so moved to digital from solid state or valve, for example.
A growing interest
Shivas says, however, that this increase in convenient, passive listening has caused an increase in active, dedicated listeners too: “They want a more emotional and sentimental connection to their music.”
Robin, one of the team members at Audio Gold, a three-decade-old audiophile Mecca in Muswell Hill, London, agrees. He says that the uptick in interest has been particularly driven by younger generations. For reference, the global home audio market is expected to grow at an aggregate rate of 11.4 per cent from 2022 to 2027, and for vinyl, 2022 marked the 17th consecutive year that the number sold rose.
There seem to be more bars and clubs using this vintage sound too. One to note is Moko in Tottenham – run by global oddities and house label Rhythm Section head honcho, Peckham legend, and all-round lovely guy, Bradley Zero.
Friendly Pressure. Image: giftyphotographer
Moko may not be quite a ‘listening bar’, but there is a similar attention to detail in the hardware used – if in a setting more appropriate to dancing. Friendly Pressure’s custom FP398s provide the sound, with custom monitors, a Technics 1210 turntable, an Acuphase amp, and a rotary E&S DJR400 turntable “for now,” says Zero.
The space is, however, is in desperate need of room treatment and soundproofing, with its concrete roof and subsequent resonance.
Bradley Zero speaks less about his bars and more about what should be an essential pilgrimage for anyone with two ears and two legs: Cosmic Slop in Leeds. This monthly club night is run by the people behind MAP, a charity that provides children less fortunate the opportunity to learn about music production and gain BTEC qualifications.
Cosmic Slop
To this writer, there is no better-sounding club, more beautiful a crowd, or more noble a cause.
The system in Cosmic Slop, located in Hope House just outside of Leeds city centre, is truly special. It’s so special, in fact, that the sound (and its charitable cause) brings DJs such as Floating Points, Coco Maria, and Bradley Zero himself, who all typically charge pretty hefty fees, to play for free. Furthermore, lineups are often left unannounced, which makes it even more rewarding when you see someone special in the booth.
Tom Smith, the founder and owner, is the custodian of the original blueprints from New York icon Paradise Garage. He went to New York and met some of the last people who worked on the system for Larry Levant and built it to Cosmic Slop’s spec. As Bradley Zero’s says, “when you play there, you feel you’re stepping back in time to this paragon of musical excellence.”
“Every note played gets powered up and comes out earthshaking,” he adds. “Last time I played, Tom ended on a blues song, and it had a room full of young people going crazy. Just the stomp of the foot was causing the room to shake.”
Tom also runs MAP Charity, an alternative education provider working with young people who are unable to access the mainstream school system.
Beauty and the Beat
Beauty and the Beat is a party in London with a similar focus on sound quality supplied by pricey vintage components.
They started with two stacks of Klipshorns, and over 18 years, built the system to where it stands today:
• Five Klipschorns (one of these is used as a mono channel)
• Two Tannoys (one York and one Majestic)
• Two Mark Levinson amps (27.5 and 334)
• One Music Fidelity XA50 mono amp
• One Sugden masterclass SPA-4 stereo amp
• Isonoe ISO420 mixer
• Two Technics 1210 turntables with upgraded tonearms (Jelco) + Isonoe isolation feet
• Audio Technica VM740 ML cartridges
BATB adds two more Klipshorns into the mix for a seven-point system in their current venue Hackney Wick Baths. One of the founders of Beauty and the Beat, Cyril Cornet, says that “being surrounded and immersed by music is pretty hard to beat…When dancing in the sweet spot, you forget where the sound comes from”. Plus, they add, there’s a social aspect to the setup – it means dancers don’t end up all facing the DJ at the front.
This is a truly special party, which sounds, feels, and looks excellent. You’re as likely to hear classics like Santana’s //Black Magic Woman// or Talking Heads’ Girlfriend is Better as you are hypnotic tabla solos and spiritual chanting – and all on wax.
It takes years to build such exquisite and priceless gifts to the human ear and heart, but you have to start somewhere. Hence, personal friends Fly Away Hearts, a new party in London, are building their own bespoke Klipschorn system, so they deserve a shout-out here too.
Dedicated to the cause
It’s not just the gear used that makes these places special. With this sound comes an ability for DJs to truly play whatever they like – as illustrated by Tom Smith’s closing tune. People playing here usually, and should, exploit this freedom to the fullest, dredging the bottom of their record bags and finding oddballs and gems.
Cosmic Slop is unashamedly fun and free, – and totally without pretension. Beauty and the Beat differs slightly. Its ethos is almost spiritual, much less anarchic, and verges on serious and sophisticated, with a focus on global, percussive, and psychedelic tunes.
The music played is, of course, the star of the show. After all, I’ve had more enthusiastic dances around a decent portable speaker than high-end vintage audio systems. However, the music is given new life when played through systems of this quality and becomes truly transcendental.
But it’s more than just sound quality. These sound systems are a mark of dedication. It may not be the most accessible of pursuits, but running these rigs shows a love for music that’s been built over a lifetime. Instead of hoarding such high-end (and expensive) equipment inside their living rooms, they share the love with a room full of dancers and trust no one pokes their key through a driver. Brave.
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