Fred Durst and Limp Bizkit’s $200m lawsuit over alleged unpaid royalties is ‘based on a fallacy’ says Universal Music, in motion to dismissUMG told the court that the lawsuit "should be dismissed with prejudice"
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At $45.5bn in 2023, music copyright now worth more globally than cinema, new report findsMusic copyright's value is up a “jaw-dropping” 26% since 2021, and nearly double the $25 billion in 2014
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Bandsintown High Notes 2024: 1 Week left to update Artist profiles!Bandsintown High Notes 2024, the popular live music year in review for both artists and fans, will be released early next month.
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How To Identify Botted Playlists and Protect Your MusicLearn the signs of bot-boosted playlists, that are bound to waste your marketing efforts, and ensure your streams come from real listeners who matter.
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Grammy Camp Expands to New York, Miami and LAThe Grammy Museum has announced that the Grammy Camp is expanding with sessions in New York, Miami, and LA, opening doors for the next generation of emerging artists.
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Tip Jar: Mark Maxwell . . . “If You’re in a Band”If there is any one human being that knows about the trials and tribulations of living a musical life it is Mark Maxwell. The 50-something lead vocalist for Louisville, Kentucky band The Crashers and owner of Maxwell’s House of Music in Jeffersonville, IN grew up in a musical family. His father Marvin was a drummer in Dick Clark’s Caravan of Stars and also owned a music store. And his older brother Max is a 30-year veteran of the Louisville music scene and drummer in The Crashers as well.“I was around a lot of good people and met some interesting players that worked with my dad,” recalls Maxwell on his formative years. “I had no choice but to fall into this thing. I worked in my dad’s music store at 18 years old. And for 40 years I’ve worked in a music store and played in original and cover bands.”Being immersed in the music world, Maxwell garnered a ton of experience that he wanted to share with his customers and his immediate music community at large. He had developed a strong business sense as well as a creative one as a vocalist and guitarist. Undoubtedly, a major turning point in his musical career happened 16 years ago when he formed The Crashers.“We’re just a fun cover band that is comprised of the same six guys who started it,” says Maxwell. “The best thing we did was, when we got together, we sat around a table and got to know each other. We knew we were good players, but could we live with each other for the rest of our lives? Once we determined that, we discussed what were our goals? And then we came up with these lofty goals and hit each one within three and a half years.”Over the years The Crashers have become one of the premier cover bands in the Louisville area, warming up for major acts, playing lucrative municipal, private and corporate events and doing feature shows in Mexico and the Caribbean. The affable singer and front man has learned a lot along the way and wanted to simply pay it forward.About six months ago Maxwell consulted with his store videographer about the notion of starting a series on their website offering tidbits on aspects of being in, and running a band, that would help other established and musicians in their town. “Everybody knows The Crashers in Louisville and we’ve built one of the most stable businesses in this town,” says Maxwell. “And everybody started doing the same thing we were because I kept saying this is what you oughta do.”So, Maxwell began posting 30 to 60 second videos on maxwellshouseofmusic.com that soon got added to Facebook, Instagram, YouTube and throughout the social media universe. The series is called If You’re in a Band and features Maxwell casually positioned in various sections of his store nonchalantly extolling tips on musical performance, practice methods, audience interaction, marketing, etc. Initially, as with anything new, there was some push back from the public. But then the tide began to quickly turn in a favorable direction.“After about a month or so of me posting these videos the world started biting in,” says Maxwell. “People from Hawaii, Colorado, Canada, Israel, New Zealand and Australia started buying into, and loving, the series. And once that happened, all of the naysayers in town, for the most part, had stopped.”If You’re in a Band comes out every morning 8 a.m. Monday-Friday EST. And, despite the phenomenal success that Maxwell has personally had through his band and related exploits as a music merchandiser, he humbly maintains his motivation for doing the series and offering real world advice comes from a place of empathy, and is organic and real.“We’re just a local music store that is solid in our foundation in what we’re trying to do to help musicians,” says Maxwell. “We’re here to help you get to wherever you need to go, with whatever gear and whatever ideas. I never once say you should buy this drum set, guitar, bass or amplifier. But this is the big key. When you don’t try to do something and you just do it for the right reasons, which was just to share this with my little town, things blow up! I never tried to sell anybody anything. But it’s the algorithm that connected with musicians and brought everyone here.”Maxwell is living proof that if you remain dedicated to your craft, develop a game plan, keep open lines of communication fluid with your band mates and keep dreaming big anyone can attain whatever level of success in the music business, or life for that matter, they want to achieve.“Being in a band is more like playing chess than checkers,” says Maxwell. “And I think most of the bands in the world are playing checkers—meaning I get one, you get one. It takes a moment to realize that the first move you make affects the eighth move you make, or the third move affects the 12th. So, if you can stop and readjust the way you make these moves it will change your thought process on how to run a band. And I don’t see a whole lot of people doing this.”The series If You’re in a Band is on all social media platforms. But to go to the source, visit maxwellshouseofmusic.com.The post Tip Jar: Mark Maxwell . . . “If You’re in a Band” first appeared on Music Connection Magazine.

Live Review of Vanessa Collier in Durham, NCThe Blue Note Grill  Durham, NCContact: nick.losseaton@gmail.comWeb: vanessacollier.comPlayers: Vanessa Collier, vocals, sax, guitar; Ben Rice, guitar; Justice Guevara, bassMaterial: Blues, blues, and more blues was Vanessa Collier’s calling card this evening. With her perfectly stylized sax playing, she opened a can of whoop-ass and kicked it effortlessly off the stage, and in the process gave a nod to her Texas roots: Ben Webster, Charlie Parker, Pamela Hart and she seems to have jumped into Joyce Spenser’s skin a little bit. Playing all original material, she had no trouble moving through her new record, which she touted with thoughtful and memorable narratives. She introduced each one to this adoring crowd: “Sweating Like a Pig, Singin’ Like an Angel” was a crowd favorite, as was “Wild as a Rainstorm,” both climaxing into blues oblivion driven by her melodic and punchy sax. Ben Rice on guitar provided tasteful, in the pocket fills that left room for her soaring vocals and complemented the smoldering, low-to-the-ground groove.Musicianship: If you were looking for flashy, over-the-top blues-Magoo nonsense, there’s no place for it on this stage, on such a rare and enchanting evening. Collier’s ensemble was a study in near-perfect musicianship, effortless  playing and, with grace and occasional homage to that distant animal Roberticus Johnsonasaurus Rex, she brought the goods, had the near capacity crowd on their feet and hyper-groovin’ to her well-executed original material.  Her rhythm section was as tight as a drum, and sounding shiny and new, like they had been together for decades, without the cobwebs. Standout lower-register magic-man Justice Guevara and his knee-level slung bass (in the style of Dee Dee Ramone and Dusty Rhodes) gave a visual clue, that no matter where we are in the musical spectrum, we owe so much to the blues, a sound style that scratched out its existence over the eons to emerge as this uniquely American music.Performance: This was as sophisticated a performance as it gets. This quartet—with Collier out front calling the show—was a slow-burn study in how to pace a performance, work an audience into a near frenzy and deliver a set of original material that was engaging as much as it was breathtakingly professional. The sound was excellent, very well mixed, there was little if any downtime between songs and the whole experience flowed like Crown Royal poured over #2 sandpaper: smooth with a little bit of grit!Summary: Every now and then, a Texas sax player steps out enough to make her own mark, blaze her own trail and build an impressive resume in a relatively short space of time. Vanessa Collier is an artist who will be with us for a long time since her talent and writing seem to have no bounds and the sky’s the limit for this remarkable cyclone of sound, sax and song.The post Live Review of Vanessa Collier in Durham, NC first appeared on Music Connection Magazine.

Last Week in DIY and Independent Musician NewsLast week, our tips and advice for the independent, do-it-yourselfers out there covered SoundCloud AI, how to find the right booking agent for you or do it yourself, how to spot. Continue reading
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Music Industry News Last WeekIt was a busy week by any definition, and the music industry news was no exception with new Live Nation lawsuits, a closer look at fair use in AI, and. Continue reading
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Top 25 New Music Critiques 2024Music Connection offers a variety of ways for unsigned artists to receive recognition for creating exceptional music. Each month, for example, our New Music Critiques area spotlights the recordings of a dozen unsigned recording artists. The cream of the 2024 crop is here on the pages before you. 25 remarkable recording artists, plus 20 Top Prospects who are too good to be overlooked. Unsigned recording artists of all genres are welcomed to sign up for a free critique at musicconnection.com/reviews/new-music-critiques.WRENE . . . 8.6Web: wrene.bandcamp.comStyle: Avant-popPARIS PALOMA . . . 8.4Web: parispaloma.co.ukStyle: Folk-popVENDELA . . . 8.4Web: YouTubeStyle: Alt-popVELVET HALO . . . 8.4Web: velvethalomusic.comStyle: Soft popFERAS ARRABI . . . 8.3Web: ferasarrabi.comStyle: Progressive rockNATALIE JEAN . . . 8.2Web: natalie-jean.comStyle: Country-popSIESKI . . . 8.2Web: sieski.comStyle: PopTHE REQUISITE . . . 8.2Web: SpotifyStyle: Pop-punkNO LOVES . . . 8.2Web: noloves.comStyle: PunkX . . . 8.2Web: instagram.com/theofficialxStyle: R&BORAYVIA . . . 8.2Web: SpotifyStyle: R&BJOSÉ JAMES . . . 8.2Web: SoundcloudStyle: R&BJOHNNY STANEC . . . 8.2Web: johnnystanec.comStyle: AmericanaFIIZ . . . 8.2Web: linktr.ee/fiizmusic Style: ElectropopGORDON GOODWIN’S BIG PHAT BAND . . . 8.2Web: bigphatband.comStyle: JazzMAGALI, A CULT . . . 8.2Web: SpotifyStyle: ElectropopRGB . . . 8.2Web: listentorgb.comStyle: PopCASII STEPHAN . . . 8Web: casiistephan.comStyle: Soul-rockKATELYN TARVER . . . 8Web: katelyntarver.comStyle: Singer-songwriterCAITLIN MAHONEY . . . 8Web: caitlinmahoney.comStyle: Indie-popLUCIE TIGER . . . 8Web: SpotifyStyle: CountryHER LEATHER JACKET . . . 8Web: herleatherjacket.comStyle: Pop-punkMIKKI . . . 8Web: SpotifyStyle: AlternativeDOWNTOWN MYSTIC . . . 8Web: downtownmystic.netStyle: Rock ’n’ rollBRENDA RUSSELL . . . 8Web: brendarussellofficial.comStyle: R&BThe post Top 25 New Music Critiques 2024 first appeared on Music Connection Magazine.

From Amazon Music’s audiobook bundle to WMG’s subscription streaming growth… it’s MBW’s Weekly Round-UpThe biggest stories from the past week – all in one place…
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Venue Booking Contacts made easy with Booking-Agent.ioNew platform Booking-Agent.io solves two mjor problem for artists and managers trying to book a tour: what are the right places to play and how do I contact the person booking it.
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Live Music Society grants to small venues top $1M in 2024The Live Music Society, a non-profit that helps small U.S. music venues, has awarded 34 new Toolbox grants. This year’s Live Music Society grants are the largest in the organizations history.. Continue reading
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Johnny Marr talks artist development and the record industry’s future as he partners with Epidemic SoundJohnny Marr tells MBW about his new artist development partnership with Epidemic Sound
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Community Record Labels offer musicians an alternativeAs independent music stakes a larger and larger claim in the industry, smaller DIY record labels, known as "community labels," are providing the personal touch.
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