HUMAN ARTISTRY CAMPAIGN LAUNCHES, Announces AI PrinciplesA broad coalition announced the launch of the Human Artistry Campaign to ensure artificial intelligence technologies are developed and used in ways that support human culture and artistry – and not ways that replace or erode it. With more than 40 members including major unions, trade associations, and policy experts representing individual creators and rightsholders from across the entire tapestry of creative endeavor, the Human Artistry Campaign is positioned to be a leading voice in the rapidly unfolding debate over the costs and benefits of different forms of AI.The group outlined principles advocating AI best practices, emphasizing respect for artists, their work, and their personas; transparency; and adherence to existing law including copyright and intellectual property.The campaign urges supporters to sign a petition to advance these fundamental principles.The launch was announced at SXSW in Austin today at an event featuring voice actor and prolific songwriter Dan Navarro, GRAMMY-nominated singer-songwriter Jessy Wilson and UT Austin professor and immersive technology expert Erin Reilly – and moderated by Rob Levine, Billboard's Deputy Editorial Director.

Core Principles for Artificial Intelligence Applicationsin Support of Human Creativity and Accomplishments1. Technology has long empowered human expression, and AI will be no different.

For generations, various technologies have been used successfully to support human creativity. Take music, for example... From piano rolls to amplification to guitar pedals to synthesizers to drum machines to digital audio workstations, beat libraries and stems and beyond, musical creators have long used technology to express their visions through different voices, instruments, and devices. AI already is and will increasingly play that role as a tool to assist the creative process, allowing for a wider range of people to express themselves creatively.Moreover, AI has many valuable uses outside of the creative process itself, including those that amplify fan connections, hone personalized recommendations, identify content quickly and accurately, assist with scheduling, automate and enhance efficient payment systems – and more. We embrace these technological advances.

2. Human-created works will continue to play an essential role in our lives

Creative works shape our identity, values, and worldview. People relate most deeply to works that embody the lived experience, perceptions, and attitudes of others. Only humans can create and fully realize works written, recorded, created, or performed with such specific meaning. Art cannot exist independent of human culture.

3. Use of copyrighted works, and use of the voices and likenesses of professional performers, requires authorization, licensing, and compliance with all relevant state and federal laws.

We fully recognize the immense potential of AI to push the boundaries for knowledge and scientific progress. However, as with predecessor technologies, the use of copyrighted works requires permission from the copyright owner. AI must be subject to free-market licensing for the use of works in the development and training of AI models. Creators and copyright owners must retain exclusive control over determining how their content is used. AI developers must ensure any content used for training purposes is approved and licensed from the copyright owner, including content previously used by any pre-trained AIs they may adopt. Additionally, performers' and athletes' voices and likenesses must only be used with their consent and fair market compensation for specific uses.

4. Governments should not create new copyright or other IP exemptions that allow AI developers to exploit creators without permission or compensation.

AI must not receive exemptions from copyright law or other intellectual property laws and must comply with core principles of fair market competition and compensation. Creating special shortcuts or legal loopholes for AI would harm creative livelihoods, damage creators' brands, and limit incentives to create and invest in new works.

5. Copyright should only protect the unique value of human intellectual creativity.

Copyright protection exists to help incentivize and reward human creativity, skill, labor, and judgment -not output solely created and generated by machines. Human creators, whether they use traditional tools or express their creativity using computers, are the foundation of the creative industries and we must ensure that human creators are paid for their work.

6. Trustworthiness and transparency are essential to the success of AI and protection of creators.

Complete recordkeeping of copyrighted works, performances, and likenesses, including the way in which they were used to develop and train any AI system, is essential. Algorithmic transparency and clear identification of a work's provenance are foundational to AI trustworthiness. Stakeholders should work collaboratively to develop standards for technologies that identify the input used to create AI-generated output. In addition to obtaining appropriate licenses, content generated solely by AI should be labeled describing all inputs and methodology used to create it -- informing consumer choices, and protecting creators and rightsholders.

7. Creators' interests must be represented in policymaking.

Policymakers must consider the interests of human creators when crafting policy around AI. Creators live on the forefront of, and are building and inspiring, evolutions in technology and as such need a seat at the table in any conversations regarding legislation, regulation, or government priorities regarding AI that would impact their creativity and the way it affects their industry and livelihood.

Human Artistry Campaign – Member Commentary

“Artists shape our culture and help build a richer, more meaningful world. We simply cannot hand over that great responsibility to computers. AI is a wonderful tool, but it needs to complement human creativity, not replace it. We will not sit on the sidelines while Big Tech once again defines the rules for a new creative frontier.” – A2IM President and CEO Richard Burgess“Black songwriters, producers, and artists already face an uphill battle for ownership, credit, and proper payment in the music industry. Although AI can be an incredible tool, without the protection of real human artistry AI could devastate the Black creative community that leads so much of popular culture.” – Black Music Action Coalition Co-founder and Co-Chair Willie “Prophet” Stiggers“Artists and all creators are determined to lead on this issue and make sure we have a thoughtful, serious debate about both the risks and the benefits of AI. And the time for that debate is now.” – Susan Genco, Board Member Music Artists Coalition“Incredible music originates from individuals. As we face growing AI capabilities, we as an industry are united around the fact that human artistry must be protected by strong copyright law and policy and that AI tools are developed in ways that do not undermine the value of songwriters' work.” – NMPA President & CEO David Israelite.“There is so much potential with AI. But it also presents risks to our creative community. It's crucial that we get this right early on so we don't risk losing the artistic magic that only humans can create.” – Recording Academy CEO Harvey Mason jr.“Human artistry is irreplicable. Recent developments in AI are remarkable, but we have seen the costs before of rushing heedlessly forward without real thought or respect for law and rights. Our principles are designed to chart a healthy path for AI innovation that enhances and rewards human artistry, creativity, and performance.” – RIAA Chairman and CEO Mitch Glazier“It comes down to respect for creative workers and their craft. We have long fought for protections against misappropriation of our members' voices, likenesses and performances, and we are excited to continue that vital work in conjunction with our coalition partners. As technology continues to improve storytelling, we want to ensure humans are always at the center of the story.” – SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland“Artificial intelligence is a powerful, still-emerging technology that presents unique challenges as it matures in the creative arts space. We embrace the responsible use of AI, but recent advancements in AI have underscored the need to develop consensus on responsible use and to address important intellectual property concerns. Our culture and our technology must respect the foundational role that all creators play in AI's ultimate output.”– SoundExchange President and CEO Michael Huppe

About the Human Artistry Campaign: The Human Artistry Campaign was launched at SXSW 2023 for open dialogue and guidance from the united creative community in shaping the AI debate. Visit HumanArtistryCampaign.com to join.Members include: AFL-CIO; American Association of Independent Music; American Federation of Musicians; Americana Music Association; American Photographic Artists; Artist Rights Alliance; Artist Rights Watch; ASCAP; Association of American Publishers; Authors Guild; Black Music Action Coalition; BPI; Christian Music Trade Association; Church Music Publishers Association; Concept Art Association; Department of Professional Employees, AFL-CIO; European Composer and Songwriter Alliance; Folk Alliance International; Future of Music Coalition; Georgia Music Partners; Global Music Rights; Gospel Music Association; Graphic Artists Guild; IFPI; International Federation of Actors; #IRespectMusic; Living Legends Foundation; MLB Players Association; Music Artists Coalition; Music Managers Forum – US; Music Tech Policy; Music Workers Alliance; National Music Publishers' Association; News Media Alliance; NFL Players Association; NHL Players' Association; Professional Photographers of America; Recording Academy; Recording Industry Association of America; Rhythm & Blues Foundation; SAG-AFTRA; SESAC, Songwriters of North America; SoundExchange and The Trichordist.

# # #

www.HumanArtistryCampaign.com contact@humanartistrycampaign.com

From Believe’s $800m in annual revenues to HYBE ending its SM Entertainment takeover bid… it’s MBW’s Weekly Round-UpThe biggest stories on MBW from the past seven days
Source

In a shock move, Meta has pulled music by Italian songwriters from its platforms. Is this connected to Mark Zuckerberg’s ‘Year of Efficiency’ ?A mega dispute is brewing in Italy between music publishers and Mark Zuckerberg's Meta
Source

How Jay Gilbert built his influential Your Morning Coffee empireJay Gilbert has worked at all three major music groups at different points in his career. These days, alongside his Label Logic consultancy and music photography side hustle, a primary. Continue reading
The post How Jay Gilbert built his influential Your Morning Coffee empire appeared first on Hypebot.

40 trade groups form Human Artistry Campaign to shape AI for creativesA broad coalition has come together to launch the Human Artistry Campaign with the goal of ensuring that artificial intelligence (AI) is developed and used to support human culture and artistry and. Continue reading
The post 40 trade groups form Human Artistry Campaign to shape AI for creatives appeared first on Hypebot.

50 short video content ideas for musicians on Reels, TikTok, YouTubeAre you feeling stuck and looking for content ideas? For this week’s Flashback Friday, we resurface a post by our friend and music marketer extraordinaire Michael Brandvold with content ideas. Continue reading
The post 50 short video content ideas for musicians on Reels, TikTok, YouTube appeared first on Hypebot.

SoundExchange Joins Human Artistry Campaign to Protect Royalty Payments for CreatorsSoundExchange, the premier music-tech organization, powering the future of music, announced during SXSW 2023 in Austin, Texas, the founding of the Human Artistry CampAIgn along with more than 40 organizations, including the Recording Industry Association of America (RIAA), The Recording Academy, AFL-CIO, and SAG-AFTRA. 

The coalition brings together organizations from music and other industries potentially impacted by artificial intelligence (AI) and outlines foundational principles for supporting human creativity while embracing opportunities presented by AI. 

“Artificial intelligence is a powerful, still-emerging technology that presents unique challenges as it matures in the creative arts space,” said Michael Huppe, President and CEO of SoundExchange. “We embrace the responsible use of AI as a tool that spurs the continuing evolution of human-created works. At the same time, recent advancements in AI have underscored the need to develop consensus on responsible use and to address important intellectual property concerns. Our culture and our technology must respect the foundational role that all creators play in AI’s ultimate output.”

Organizations interested in signing the petition can do so at www.humanartistrycampaign.com. 

France is ‘struggling’ to reach the paid subscription levels of other major music markets. Is TikTok partly to blame?SNEP report highlights slowdown in subscription streaming growth in key global territory
Source

RIAA and over 30 other groups launch AI campaign to support human creativitySignatories include the RIAA, the Recording Academy, SAG-AFTRA, SoundExchange and more
Source

Bandcamp workers launch bid to form unionBandcamp workers across multiple departments want to unionize and are calling on the company and owner Epic Games to allow a “timely and fair election.” The effort has affiliated with. Continue reading
The post Bandcamp workers launch bid to form union appeared first on Hypebot.

Recorded music market 2022 | Reality bitesFollowing a spectacular year of growth in 2021, global recorded music revenue growth slowed significantly in 2022 due to the combined impact of global economic headwinds and growth slowdown in mature streaming markets. Context, though, is everything – not many industries can deliver solid growth while the global economy is in turmoil, ad markets are falling and many emerging tech sectors are in crisis.

Global recorded music growth has oscillated in recent years, slowing in the pandemic, booming in 2021, and then returning to more modest growth in 2022.

2022 was a year of realignment for much of the global economy, and the music business had to contend not only with the wider trend of the cost-of-living-crisis, but also rising interest rates softening music catalogue M+A demand and the long expected streaming slowdown kicking in. It is testament to the solidity of the recorded music market that, despite these multiple headwinds, global revenues grew by 6.7% to reach $31.2 billion in 2022. While this was significantly down on the 24.8% registered in 2021, it illustrates the strong role music plays in consumers’ lives, especially in uncertain times when escapism and identity are more important than ever. The persistent value of music was even more strongly illustrated by music publishing, which grew by 16.6% in 2022.

Streaming was again the main driver of industry growth, with revenues up by $1.5 billion in 2022 (8.3% growth), though this was less than half the $4.2 billion added in 2021.  The slowdown was underpinned by a) slowing subscriptions growth in mature markets; b) a slowdown in ad-supported revenues, reflecting wider advertising market dynamics. Music subscriber growth was markedly stronger, up by 13.7% to 652 million, however, the more mature North America and Europe regions accounted for just a third of the growth. Emerging markets will become a progressively larger part of global streaming growth, but due to lower ARPU and low shares of Anglo repertoire, the divergence between growth revenue and subscriber growth rates seen in 2022 will become a long-term market characteristic.

Independent labels and artists direct both strongly out-performed the wider streaming market, growing streaming revenues by 13.9% and 17.9% respectively. In terms of total recorded music revenues, 

UMG added more recorded music revenue in 2022 than the other two majors, adding $0.5 billion to reach $9.2 billion, giving it a 29.5% share of the global recorded music market. UMG’s percentage growth (6.2%), though, was slower than SMG’s (8.7%), with SMG gaining 0.4 points of market share.

Artists direct (i.e., artists who release without labels, directly via a distributor) were the big success story once again, growing by 16.6% in 2022 to generate $1.7 billion of recorded music revenue, giving it a 5.7% market share, up from 5.2% in 2021. 

Independent labels also outgrew the wider market (up by 7.1%), and the combined market share of artists direct and independent labels reached 34.6% in 2022, up from 34.0% in 2021. Though it is worth noting that this does not include the additional revenue from independent labels distributed by major labels.

Combined, independent labels and artists direct, were the largest single market segment with $10.8 billion.

Though overall market growth was down in 2022 compared to 2021, 2021 was in many respects a year of artificially accentuated, post-Covid growth, while 2022 was at the opposite end of the scale, with a host of economic headwinds. In this context, 6.7% growth for 2022 could be considered even more of an achievement than the 24.8% achieved in 2021.

The full report and dataset (with quarterly revenue by segment and format going back to Q1 2015) will be shortly available to MIDiA clients. If you are not a MIDiA client and would like to learn how to get access to our research, data and analysis, email stephen@midiaresearch.com

Redefining independent artist success: Their narrative is not your narrative [Keith Jopling of MIDiA]Keith Jopling from MIDiA Research discusses how important it is for artists to keep control of their own careers apart from industry expectations and demands, along with advice on how. Continue reading
The post Redefining independent artist success: Their narrative is not your narrative [Keith Jopling of MIDiA] appeared first on Hypebot.

Stephen Dusenberry & Ricky Ken on how (and when) music changed their lives foreverThe pivotal performances that convinced two renowned artists to build their lives around music are not what you might expect. by Michael Gallant of Disc Makers Blog Some artists may. Continue reading
The post Stephen Dusenberry & Ricky Ken on how (and when) music changed their lives forever appeared first on Hypebot.

Apply to AES Educational Foundation 2023 Scholarships and GrantsThe Audio Engineering Society, celebrating “75 Years of Audio Innovation” in 2023, has announced details on this year’s AES Educational Foundation scholarships and grants. Applications for the annual AESEF Graduate Studies Grants and Mary Lea Simpson Memorial Scholarship for undergraduate studies are open to AES Student Members through May 15, 2023.

Since its establishment in 1984, the Foundation has awarded grants for graduate studies to hundreds of exceptional applicants, many of whom have gone on to prominent and successful careers in the audio engineering industry.

Graduate Studies Scholarships:Grants, including the named Scholarships, are awarded annually for exemplary students dedicated to the art and science of audio engineering. The AESEF Scholarship Committee selects the recipients of the memorial scholarships based on which student best meets the criteria for each named scholarship. Genelec Mike Chafee Audio Pioneering ScholarshipThis scholarship encourages passionate and outstanding women to continue their audio education while paying tribute to noted long-time Genelec manufacturer’s representative, audiophile, sound designer, acoustician, audio evangelist and supporter of women in audio, Michael Chafee. Chafee had been involved with Genelec since 1996 and is credited with being an early pioneer and key influencer in promoting the concept of Active Monitoring technology to the market.Dolby Institute ScholarshipThe Dolby Institute has partnered with AES to award the Dolby Institute Scholarship, open to international graduate students with an interest in content creation and the study of the science of sight and sound.

The John Eargle AwardThis award honors AES Past-President and Fellow, John Eargle, who authored several seminal textbooks on audio, as well as engineering more than 250 albums, and was posthumously awarded a Technical GRAMMY® Award in 2008. The scholarship is given annually to a student who excels in both technology and music.

L-Acoustics Dr. Christian Heil Future of Sound Scholarship This scholarship awards recipients who demonstrate curiosity and dedication to shaping the future of sound, including approaches that may question conventions or call upon bodies of scientific knowledge outside of the realm of audio. Students having pursued an undergraduate course of study in an area other than audio are encouraged to apply in the interest of enriching cross-disciplinary thinking and exchanges to further the state of the art.

Advancing Audio – The Tom Kite ScholarshipThis scholarship honors Kite’s legacy of dedication to engineering excellence in audio and audio measurement, as well as his achievements within the AES and as Vice President of Engineering of Audio Precision, the scholarship’s sponsor. It is offered to students who demonstrate creativity and imagination.

Genelec Dr. Ilpo Martikainen Audio Visionary ScholarshipCoinciding with its 40th anniversary in 2018, Genelec announced the creation of a scholarship honoring its innovative and entrepreneurial founder. The Genelec Dr. Ilpo Martikainen Audio Visionary Scholarship is offered annually to U.S. graduate students in the field of audio engineering who are members of the Audio Engineering Society and have a passion for advancing audio through innovation and technology development.

Garry Margolis ScholarshipAESEF’s latest scholarship has been established in honor of Garry Margolis, who passed in December 2022. Garry was a Life Fellow of the Audio Engineering Society, served as AES President and Treasurer, and was a member of the AES Board of Governors for many years. He was awarded the AES Distinguished Service Medal Award in 2019. Professionally, Garry worked for several leading audio companies in marketing, sales and as a technologist and consultant in the areas of audio, video and digital cinema. 

The Emil Torick Award This scholarship, awarded annually to an outstanding student with exceptional career goals, honors the former long-term AES Foundation President and founding member, Emil Torick. Torick held 16 patents and authored more than 60 technical publications. He served on the National Radio Systems Committee and was a member of the U.S. delegation to the International Radio Consultative Committee in Geneva.

Undergraduate Studies Scholarship:The Mary Lea Simpson Memorial ScholarshipThis scholarship covering full tuition for final year of studies is being offered to an undergraduate student entering senior year at a North American college or university Audio Engineering/Recording Arts Program. The scholarship honors Mary Lea Simpson, who was a graduate of the Audio Production Program at New England Institute of Art.

Historically, grants have been made possible by contributions from AES, Audio Precision, Dolby, Genelec, Harman International, JBL, L-Acoustics, the estate of John K. Hilliard, and the Mix Foundation for Excellence in Audio; the families of John Eargle, Mary Lea Simpson, David Smith, Emil Torick; and the family and friends of Larry Estrin, Don and Fran Pearson, and Bruce Swedien. The AES Educational Foundation also receives support from other benefactors such as in-memoriam donors and individuals and companies that support education in audio. 

Application forms and additional information online in the AES Educational Foundation web pages.

Avex Inc. CEO Katsumi Kuroiwa on Japan, the modern music business, and global expansionIn this feature, we speak to Katsumi Kuroiwa, President and CEO of Japan's Avex Group
Source