All about the world of music from the inside

  • Collabs are a major contributor to success on SpotifyHere is an in-depth look at some of the music crossover collaborations that made waves on Sptoify both in and out of the artist’s usual genres. Read and learn how. Continue reading
    The post Collabs are a major contributor to success on Spotify appeared first on Hypebot.

    Here is an in-depth look at some of the music crossover collaborations that made waves on Sptoify both in and out of the artist’s usual genres. Read and learn how. Continue reading

  • A talk with DropTrack CEO Paul LoebThe week’s Indie Spotlight shines on experienced musician and business executive Paul Loeb, who talks about his journey to success and his latest venture DropTrack. from A2IM This week, meet. Continue reading
    The post A talk with DropTrack CEO Paul Loeb appeared first on Hypebot.

    The week’s Indie Spotlight shines on experienced musician and business executive Paul Loeb, who talks about his journey to success and his latest venture DropTrack. from A2IM This week, meet. Continue reading

  • Prescription Songs Highlights LGBTQ+ Artists for PRIDE MonthAs attention is on PRIDE this month, Prescription Songs shines a light on its roster of LGBTQ+ artists. You can hear a sampling of their music here!

    KIM PETRAS - Instagram | Twitter | Spotify – Making history this year, German pop singer/songwriter/performer Kim Petras’ Billboard #1 hit single with Sam Smith “Unholy” won the Grammy Award for best pop duo/group, making Petras the first openly trans artist to win in a major category. Since her historic win, her success has only continued with Petras hopping on a version of Meghan Trainor’s hit song “Made You Look,” releasing a follow up single “brrr” and joining Nicki Minaj for a collab. “Alone (with Nicki Minaj)” marks her second entry on the Billboard Hot 100 Chart and was accompanied by a video that Billboard said serves “All kinds of main character energy.” Her list of accomplishments grew with her cover feature on the 2023 Sports Illustrated Swimsuit edition, Met Gala appearances, and performances of “Unholy” alongside Sam Smith at both the Grammy and the Brit Awards. Petras is preparing for the release of her third full-length and first major label album release following her recent signing with Amigo and Republic Records in 2021. Her 7-track EP Slut Pop is out now.

    cr1tter – Instagram | YouTube | Spotify - 19-year-old artist, lyricist, and songwriter cr1tter (formerly known as Payday) spent most of her childhood traveling state-to-state with her family. Often an outsider at whatever school she found herself at, cr1tter found an escape in music and a reliable friend in a Nintendo DS and $14 mic she purchased at Walmart. From 8-years-old, she immersed herself in poems and lyrics, raps and beats. Her music effortlessly blends the worlds of Hip-Hop, Pop and Alternative music while building upon her free thinking & hook friendly sound that her fans have come to know and love. Her latest album, A Wolf to a Spider, was released February 2023. JORDY - Instagram | Twitter | Spotify – Since signing a record deal with 300 Entertainment, JORDY has been on the fast-track, first with viral success on TikTok with his track “Long Distance” and “Story of a Boy” which created a trend for trans individuals to share their transitioning journey along to his song. He released his most recent full-length album BOY at the heels of this viral success with Huffington Post sharing that through this album JORDY “Embraces The Wisdom Of Queer Experience.” He’s also been recognized with television appearances (The Today Show and The Tonight Show Starring Jimmy Fallon), a feature in YouTube Music’s 2021 Pride Campaign, a nomination for the “Social Star Award” at iHeart Radio’s 2022 Music Awards, main stage sets at Lollapalooza and Bottle Rock, and a GLAAD Award nomination for Outstanding Breakthrough Music Artist. This success has resulted in over 100M cumulative streams (across platforms), and just under 1 million monthly listeners on Spotify, as well as press support from Teen Vogue, Paper Magazine, V Man and TIME Magazine. JOY OLADOKUN - Instagram | Twitter | Spotify – The daughter of Nigerian immigrants, Joy Oladokun sings with all of the poetry, pain, passion, and power her soul can muster. She’s earned several song placements including NBC’s This Is Us, ABC’s Grey’s Anatomy, and Showtime’s The L Word: Generation Q, among others, as well as unanimous critical praise from Rolling Stone (Artist You Need To Know), NPR (Tiny Desk (Home) performer), Billboard (top 10 best LGBTQ albums of 2020), Vogue, and late night performances on The Tonight Show Starring Jimmy Fallon, The Late Show with Stephen Colbert and The Today Show. Other exciting honors for Oladokun this year include being selected as a finalist for the Recording Academy’s new Special Merit Award, Best Song for Social Change, an accolade honoring music that addresses current social issues while inspiring positive global impact, opening for John Mayer on his Solo Acoustic tour, and playing a run of her own headlining shows. Her latest full-length album Proof of Life is out now featuring a wide range of artist collabs including Chris Stapleton, Manchester Orchestra, Noah Kahan, Mt. Joy, and Maxo Kream. 

    As attention is on PRIDE this month, Prescription Songs shines a light on its roster of LGBTQ+ artists. You can hear a sampling of their music here! KIM PETRAS – Instagram |&nb…

  • Andrew Spence promoted to General Counsel at Sony Music Publishing UKSpence first joined the company in 2014 as a Business Affairs Manager
    Source

    Spence first joined the company in 2014 as a Business Affairs Manager…

  • 120K tracks uploaded daily to Spotify & streamers, up 28.4% this year120,000 new tracks are uploaded to music streaming services every day, according to Luminate data shared at last week’s Music Biz Conference. That’s up 28.4% from an average of 93,400. Continue reading
    The post 120K tracks uploaded daily to Spotify & streamers, up 28.4% this year appeared first on Hypebot.

    120,000 new tracks are uploaded to music streaming services every day, according to Luminate data shared at last week’s Music Biz Conference. That’s up 28.4% from an average of 93,400. Continue reading

  • Snapchat teams up with Republic Records to launch virtual ‘Band Tees’ merchDebut collection features 'digital merch tops' from Greta Van Fleet, Jonas Brothers, Kim Petras, Lil Wayne, Metro Boomin and Nicki Minaj
    Source

    Debut collection features 'digital merch tops' from Greta Van Fleet, Jonas Brothers, Kim Petras, Lil Wayne, Metro Boomin and Nicki Minaj…

  • AI will unlock creation rather than consumptionUnlike most new technology hype cycles, the impact of AI on the world is already surpassing expectations. The current hype around AI far exceeds that of more recent tech, such as VR, NFTs, and 3D printing. This is in part because AI represents a crucial part of the architecture of tomorrow’s internet, along with various web 3.0 technologies, rather than being just another new tech product. AI continues to shape the music industry’s contemporary narrative. News sites regularly reference new statements from industry execs and announcements from new companies, while AI dominates discussions both on and off stage at industry events. Of course, AI is a catch-all term that refers to a massive variety of applications even within music. Even with this caveat, it is clear that it is going to reshape the future of music, culture, business and, ultimately, society. However, as impactful as this change might be, it will help turn back the clock for music to how music was before the recorded music business came to the fore.

    Prior to the establishment of the recorded music business, music was a participatory experience. Whether that be a 19th century family gathering around a piano on a Sunday, mediaeval peasants singing along with a travelling bard, or the majority of 16th–18th century European populations singing hymns in church. Recorded music used quality to build walls between listeners and performers. The vast majority of people could never expect to sound as good as a piece of recorded music. However, the trend started to reverse with the introduction of music production software and sample culture, re-democratising the means of production, while streaming and social media combined to democratise the means of digital distribution.

    In the 2020s, these technologies have accelerated scale and capability, supported by the proliferation of online learning (e.g., Masterclass) and skills sharing platforms (e.g., Fiverr), making it easier than ever for aspiring music creators to release good quality music. In 2022, the number of artists direct (i.e., self-releasing artists) reached 6.4 million, a 16.8% increase from 2021. While the music creator economy continues to grow; the even more transformative potential lies in the consumerisation of these technologies – much like Teflon making its way from NASA spaceships to kitchen pans.

    Assistive AI is already well established in music creation (e.g., iZotope’s Neutron 4, Splice’s CoSo). It is a relatively small step to further simplify user interfaces, making them ready for consumer primetime. When combined with generative AI, anyone with a smartphone has the ability to create convincing-sounding music as easily as they would take a photo – a process that was far more difficult to do to a high standard before the consumerisation of digital photography by smartphones and Instagram.

    The crossover between music creation and social media is still in its early days, largely confined to TikTok duets and Snapchat’s Sounds lens, but it is approaching a tipping point and AI is about to push it over the edge.

    In 2011, I wrote a report entitled Agile Music in which I suggested that music’s creative full stop was going to be erased, with songs evolving beyond the static full stop. Endel’s UMG deal shows us that this future is coming to pass. The report laid out the ‘3 Cs’ framework:

    Customise

    Create 

    Contribute

    AI is the technology that will unlock this new paradigm. Music will not only become better adapted to our behaviour, but it will also make music participative again. While record labels are focused on the copyright and volume / stream dilution threats AI poses (and they are very real threats), the truly exciting potential is making music something that all consumers can use as an expressive medium, rather than simply consuming. Is that the same as ‘real’ music? No, but just as TikTok is not the same as Netflix, the marketplace will inevitably delineate between places to create versus consume. Then, maybe, just maybe, the whole volume risk will become moot.

    If you liked the themes in this blog post, check our latest report: AI and the future of music – The future is already here

    Unlike most new technology hype cycles, the impact of AI on the world is already surpassing expectations. The current hype around AI far exceeds that of more recent tech, such as VR, NFTs, and 3D p…

  • Is Artificial Intelligence a Creative’s Friend or Foe? How Creators can move with AI, not against itAI is generating paradigm-shifting revenue opportunities and creative tools for musicians, writes Inder Phull of interactive music ecosystem PIXELYNX, and we’ve barely scratched the surface of what can be achieved.. Continue reading
    The post Is Artificial Intelligence a Creative’s Friend or Foe? How Creators can move with AI, not against it appeared first on Hypebot.

    AI is generating paradigm-shifting revenue opportunities and creative tools for musicians, writes Inder Phull of interactive music ecosystem PIXELYNX, and we’ve barely scratched the surface of what can be achieved.. Continue reading

  • 7 Twitter hacks you need to know aboutStay up-to-date with the way of the Twitter algorithm so your posts can be successful. Like, did you know hashtags aren’t helping you? by Randi Zimmerman of Symphonic Blog Truly. Continue reading
    The post 7 Twitter hacks you need to know about appeared first on Hypebot.

    Stay up-to-date with the way of the Twitter algorithm so your posts can be successful. Like, did you know hashtags aren’t helping you? by Randi Zimmerman of Symphonic Blog Truly. Continue reading

  • Tina Turner, legendary singer, passes away, aged 83"With her, the world loses a music legend and a role model."
    Source

    With her, the world loses a music legend and a role model."

  • Kilometre Music Group acquires catalog of Grammy Award-winning songwriter Tourist, secures $50m credit facility with Pinnacle FinancialWilliam Phillips (pka Tourist) co-wrote Sam Smith’s Grammy-winning hit 'Stay With Me'
    Source

  • Violinist Joe Deninzon Joins KansasThe band KANSAS has announced the addition of violinist/guitarist Joe Deninzon to the band. He is replacing the departing David Ragsdale.

    Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” seven-string electric violin. Joe is the lead singer and violinist for the progressive rock band, Stratospheerius, which has just released their 6th album—a box set with double live CDs/DVD-Blu-rays-- “Behind the Curtain (Live at ProgStock)” (Melodic Revolution Records). He can be heard on over a hundred albums and jingles as a violinist and string arranger.

    Deninzon has performed and/or recorded with the Who, Bruce Springsteen, 50 Cent, Sheryl Crow, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss from KISS, Michael Sadler, Renaissance with Annie Haslam, Kurt Elling, and as a soloist with Jazz at Lincoln Center and the New York City Ballet. A BMI Composer’s Grant recipient and winner of the John Lennon Songwriting Contest, he has written solo works for violinist Rachel Barton Pine, and in 2015, premiered his Electric Violin Concerto with the Muncie Symphony Orchestra.

    Joe holds a Bachelor’s Degree in Violin Performance from Indiana University and a Master’s in Jazz Violin from Manhattan School of music. 

    KANSAS original member and drummer Phil Ehart comments, “We are extremely excited for Joe Deninzon to be the newest member of KANSAS. We believe KANSAS fans will enjoy what Joe will bring to the band. We are excited to kick off the KANSAS 50th Anniversary Tour. As the paragraph in the band’s first album said, ‘KANSAS IS A BAND’ and we remain so to this day.”

    Deninzon adds, “As a lifelong fan of Kansas, I am overwhelmed and humbled to have been invited to join this legendary band! I have the deepest respect for Robby and David and will do my best to honor and build on their musical legacy.”

    Joe Deninzon’s first performance with the band will be in Pittsburgh, PA on June 2 at the Benedum Center during the premier date of the KANSAS 50th Anniversary Tour – Another Fork in the Road.

    A complete list of KANSAS 50th Anniversary Tour – Another Fork in the Road - can be found at KansasBand.com.

    The band KANSAS has announced the addition of violinist/guitarist Joe Deninzon to the band. He is replacing the departing David Ragsdale. Joe Deninzon has been hailed by critics as “The Jimi Hendri…

  • Bandsintown, Spotify add Microsoft Bing and ChaptGPT pluginsMicrosoft went all in on ChapGPT this week, and two music companies – Bandsintown and Spotify – are helping to lead the charge. Microsoft’s Bing is now the default search. Continue reading
    The post Bandsintown, Spotify add Microsoft Bing and ChaptGPT plugins appeared first on Hypebot.

    Microsoft went all in on ChapGPT this week, and two music companies – Bandsintown and Spotify – are helping to lead the charge. Microsoft’s Bing is now the default search. Continue reading

  • QUICK HITS: 25% off Soundfly • Easol Resale • DAAVI buys 2 AI music startups • boomboxio raises $7MSoundfly, whose content is a favorite of the Hypebot community, is having a 25% off sale on the monthly and annual subscriptions to its extensive course offerings for musicians, through. Continue reading
    The post QUICK HITS: 25% off Soundfly • Easol Resale • DAAVI buys 2 AI music startups • boomboxio raises $7M appeared first on Hypebot.

    Soundfly, whose content is a favorite of the Hypebot community, is having a 25% off sale on the monthly and annual subscriptions to its extensive course offerings for musicians, through. Continue reading

  • Social platforms are becoming one-stop-shop for all entertainment [MIDiA]Social platforms are working to cover all the bases for all forms of entertainment. What does that mean for music and the music industry? by Hanna Kahlert of MIDiA Research Social. Continue reading
    The post Social platforms are becoming one-stop-shop for all entertainment [MIDiA] appeared first on Hypebot.

    Social platforms are working to cover all the bases for all forms of entertainment. What does that mean for music and the music industry? by Hanna Kahlert of MIDiA Research Social. Continue reading