Chloe Bailey hit with copyright infringement suit over ‘Trouble In Paradise’ tracksSinger, songwriter and producer 4Rest is seeking punitive damages of $5 million per track for three tracks on Chloe's second album
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UMG just assigned 100K ISNI IDs: You need to get one tooUniversal Music Group (UMG) has announced its official adoption of ISNI IDs as a global identifier assigned to anyone involved in the creation of intellectual property.
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GigAtlas wins Measure of Music HackathonAlmost 2000 attended this year's edition of the online Measure on Music Hackathon and Conference.
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Tip Jar: Promotion or Emotion?By Darryl Evan JonesAs an artist—especially an indie artist—it’s very easy to find yourself chasing the rabbit of promotion. Don’t get me wrong, promotion is essential to every artist’s career. However, a very common mistake I’ve seen artists make (including myself) is losing scope with their promotion efforts. Too often artists make decisions about promotion based on emotion, rather than on a scientific approach. For example, every recording artist would love to see their name on and moving up the charts. This becomes a problem when it’s only based on the emotion, the high of that accomplishment, rather than having a plan and purpose for seeking that out. If there’s no plan beyond “look mom, I’ve charted,” it’s all emotion and counterproductive. Before long, you’ll find yourself spending thousands of dollars feeding the promo machine and your ego—a good recipe for disaster. If at least part of the plan is to convert charting into something tangible and lucrative like high profile and high paying performances, then have at it!Let’s face it, while an artist is struggling to build name recognition and gain a better foothold in the music game, everyone has their hand out. And sadly, the very last one with any hope of making money in the music business is the artist. While attempting to navigate the promotion gauntlet, most often artists inevitably become trapped on the hamster wheel of promotion versus emotion. What do I mean by that? Very simply, artists become completely distracted from their personal mission and goals and instead find themselves lost in the quagmire of competing in someone else’s vision. That’s very often displayed by spending tons of money in a certain area of promotion that may not quite fit that artist’s goals and vision. Everyone wants to be respected and appreciated for their craft. That doesn’t mean that your respect and appreciation must mirror anyone else’s—neither should it.Before you find yourself in the never-ending cycle of riding the carousel of promotion, I recommend the following:Ask yourself these questions:1. What do I want out of my music career?2. Do I want to be a major act locally, nationally, internationally?3. How do I plan to get people to know about me and my music?Then:1. Refocus. Put some blinders on, if necessary. Don’t completely block out the outside world, but definitely focus on YOUR goals and accomplishments.2. Plan. If you haven’t already done so, write down how you want your music career to look. Remain open and flexible but at least map out your career path and goals.3. Budget. Although the cost of making music has come way down due to constant advancements in technology, promotion costs have not. Your promo budget won’t look exactly like anyone else’s, but should be reflective of the goals and plan you’ve laid out. Your promo will be the highest cost of your venture—if you plan to follow the more traditional music business role.Let’s visit three main arms of music promotion:Radio PromotionIf radio promotion is in your plans, ask yourself why? I’m not at all suggesting you don’t pursue radio promotion. I’m only advising you to understand why it is or isn’t a viable avenue for you. If radio promotion is part of your strategy, you’ll want to vet a reputable independent radio promoter. Things to consider include but are not limited to how long will the campaign (for each song) last; how much does the term of promotion cost; what’s the cost to extend a promotion; what’s the promoter’s track record? (Which charts and chart positions have their artists attained and what’s their reputation in the business?); how many artists and/or songs does the radio promoter represent/pitch at one time; is the radio promoter completely independent or is he/she beholden to a record label? There are ways to get your music to radio program managers without a promoter. The question becomes, are you willing and able to do the tremendous amount of legwork required to accomplish this? Also, be sure to ask yourself why you would consider the expense of radio promotion. The average independent radio promotion campaign can range from $300 per week to $1,000 per week or more, depending on the genre. Is radio a justifiable consideration? Are you trying to earn a place on “the charts”? If so, why? Keep in mind that in an age where “everybody’s got a chart,” not all charts are the same or carry the same weight. Social Media PromotionExtremely vital in today’s world is an effective social media marketing campaign. Again, you could do all the legwork yourself. The question is, should you? There are those out there who specialize in this arena and are very familiar with nuance strategies most artists are not. Plus, how can you be sure you’re posting the right content on the right platform(s) at the right time(s)? Yes, there’s a science to it. Just throwing something against the wall and hoping it sticks is Not a good strategy. In my opinion, a professional, experienced social media marketing manager is a must for any music career. Do your homework and vet any social media people you’re considering working with.PublicityNot to be confused with social media marketing (although the two can sometimes intersect), publicity is also a must for your music career. A good publicist will have access to opportunities and industry gatekeepers the artist couldn’t even imagine. In addition, they have the experience and ability to create effective press releases, networking and interview opportunities, as well as chances to interface with key publications vital to your career. When deciding on a publicist, check their credentials and client roster. Don’t get sucked in by the sparkling social media pics they post, which are easily misconstrued as client representations—which are usually just casual event pics. Publicists and social media marketing managers should become friends to the artist, getting to know them intimately. This builds trust and helps the artist navigate the industry landscape better. A good publicist can easily run you thousands of dollars per month, but if you can afford it—they’re easily worth their weight in gold. In closing, make sure your decisions on promotion are scientific and not guided by emotion. And don’t be afraid to try things that rattle your comfort zone.About Darryl Evan Jones: Bronx-born, classically trained flutist and Ambassador of Instrumental Soul grew up playing in church, has released four studio albums, and has opened for major names like Boney James, Howard Hewett, Jeff Lorber, and Kem. Darryl Evan Jones wrote or co-wrote most of the songs he’s recorded. He has a most unique style and is beloved my his ever growing fanbase. Keep up with Darryl Evan Jones at dejmusic.com.The post Tip Jar: Promotion or Emotion? first appeared on Music Connection Magazine.

10 Approved Ways to Promote Music on SpotifyWant to get more streams, grow your fanbase and promote music on Spotify? These helpful promotion tips will help you optimize your profile, land on playlists, and turn listeners into loyal fans.
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6 Questions with country-folk favorites Wild PoniesWe caught up with country-folk favorites Wild Ponies for this latest edition of '6 Questions With' on their way to Montreal to showcase at Folk Alliance conference.
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$1bn-valued Create Music Group acquires catalog from Pack Records as companies form new JVCMG and Pack's existing partnership is being expanded to include recorded music and publishing
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New Music Critique: Aubrey LoganContact: olivia@olivialongpr.comWeb: aubreylogan.comSeeking: Film/TVStyle: JazzSeattle’s Aubrey Logan is a trombone-playing jazz singer and songwriter who is able to weave complex narratives into equally complex musicianship, yet the results seem startlingly, beautifully simple. She’s a songbird; her voice is stunning, whether she’s singing about being lovely while flying on “Airport Codes,” or enthusiastically scatting like one of the greats. “I Feel the Earth Move” is a cover of the Carole King classic, and it takes on new life thanks to this jazzy rendition, losing none of its original fire but gaining some improvisational wonder. Even those outside of the jazz world will find music to enjoy with Logan.The post New Music Critique: Aubrey Logan first appeared on Music Connection Magazine.

Album Review of "Dragon Season... The Awakening" by Busta Rhymes (5/10)The Conglomerate/Hitmaker Music Producers: VariousThis 6-track EP by hip-hop veteran Busta Rhymes illustrates a contrast on how a legendary artist can deliver a project which is less than remarkable. Busta possesses the ability to produce impressive verses and timeless music, but this offering is hard to engage with. Production is average. And at approximately 18 minutes in length, I’m left questioning the value of The Awakening; and if it had the potential to be more than what it turned out to be. The post Album Review of "Dragon Season... The Awakening" by Busta Rhymes (5/10) first appeared on Music Connection Magazine.

Measure of Music conference free online thru SundayIt's not too late to join the free Measure Of Music online conference and hackathon happening thru Sunday 2.23.25. With an emphasis on music data, the three day virtual event includes something for musicians and music industry professionals at all stages of their career.
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DIY and Independent Musician News Last WeekThis week, our tips, advice and independent musician news last week covered how to start a band, where to go to network this year, and more...
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I Wrote This Because People Are Still Dying.Attune's Matt Thomas calls for the industry to wake up over the threat to artists from mental health and addiction
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Signing Stories: Deep Sea DiverDate Signed: September 2024Label: Sub Pop RecordsType of Music: Indie RockBand Members: Jessica Dobson, Peter Mansen, Elliot JacksonManagement: Red Light ManagementPublicity: Frank Nieto - frankn@subpop.comWeb: thisisdeepseadiver.comSeattle-based rock band Deep Sea Diver, led by guitarist and vocalist Jessica Dobson, is celebrating their stronger support from their new home at the legendary Sub Pop Records. With the backing of the label, Dobson most looks forward to the extra care and assistance that she will have access to, something foreign coming from her hustling DIY nature."In the beginning, I have been close to the process and it can be painful at times," Dobson shares. "Hearing crickets from the time you send your record in. 'Is it in the void?' 'Do people not like it?' This time around, it was pretty quick that we got responses and Sub Pop was one of the first that said, 'We believe this. Let's keep talking.'""With self-released albums on an independent label, we know what goes into promoting an album, keeping it on the radar... there are moving parts," says Dobson. Dobson has logged time as a touring member for Beck and The Shins and has performed with numerous other acts, including Yeah Yeah Yeahs, Spoon, Dinosaur Jr. and more. In addition to headline touring, they've supported Death Cab for Cutie, Wilco, and most recently, playing to the largest audiences of their career, supporting Pearl Jam."It's quite a gift for us to have landed on a label that we have respected for years," says Dobson. "We went with SubPop because they were on board and loved what we were doing already. That's what we'd hope for when signing to a label is that they love you already. You're not having to work backwards." As for connecting with fans and labels alike, Dobson advises, "You cannot force an audience to love what you do. You can just make the best [album] you can, and the people will decide." Deep Sea Diver recently shared a video for “Let Me Go,” a collaboration with Madison Cunningham. Their fourth album Billboard Heart is out now. Check the group on their tour, which kicks off and finishes up with hometown shows in Washington.  – Joseph MalteseThe post Signing Stories: Deep Sea Diver first appeared on Music Connection Magazine.

From Ole Obermann leaving TikTok to Daniel Ek’s $666m… it’s MBW’s Weekly Round-UpThe biggest stories from the past week – all in one place…
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Independent, College and Non-Commercial Radio Charts launchIndependent artists and labels often get their start at independent college, community and non-commercial radio. New independent radio charts launched by A2IM and Muzooka should bring much needed attention to these important outlets.
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