Having spent over $200m on catalogs to date, South Korea’s Beyond Music eyes Latin Music market with Yandel music rights dealLatin Music star Yandel strikes music rights deal with Beyond Music
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Taylor Swift’s music is back on TikTok, despite no resolution in its dispute with UMGIt’s likely no coincidence that Swift’s music has reappeared on TikTok little more than week before the April 19 release of her new albu
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To build a fanbase, you need to reach every level of fandomLearn how to target different kinds of fans in order to drive engagement and get the most out of your content.....
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Spotify wants to use podcasts to help market musicSpotify intends to explore an untapped marketing strategy that would marry podcasts and music streaming for years to come. by Rutger Rosenborg of MIDiA Research Last summer, Variety published an article. Continue reading
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Record labels have some bad news for radio [Bobby Owsinski]Radio is still an important medium, but it is not as popular - particularly with music fans - as it once was. So many record labels are cutting their radio promotion teams.....
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‘I’m not going to get embarrassed or feel awkward if someone begins weeping when they start talking about a story that becomes a song. If they start to cry, I don’t try to stop that.’Dan Wilson, co-writer of Someone Like You and many other award-winning songs over the last 20 years, reflects on his time as an artist, why he's happier behind the scenes and never ruling out the waltz option
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New AI-powered ‘instant’ music-making app Udio raises $10m; launches with backing from will.i.am, Common, UnitedMasters, a16zUdio, developed by former researchers at Google DeepMind, says it can create a mastered track from user prompts in less than 40 seconds
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Ron Keel Band at the Whisky A Go GoThere's a photo on this writer's office wall at Music Connection Towers, one of the many vintage promo shots that this publication has received over the years, of the band Keel in their A&M Records prime. It's pinned up next to King Diamond, Maria McKee, the Ramones and the Cure, and the Keel guys look spectacular. We'd publish it here if we could be sure that we had the permissions.

People often forget how close Keel was to really breaking. Fresh out of the band Steeler and a two-week spell in Black Sabbath (they demoed together but nothing was ever released), Ron Keel formed Keel, released a ton of great music, got produced by Gene Simmons, scored a major deal and went on the road with Bon Jovi on the Slippery When Wet tour. The sky was the limit, but they were destined to remain a cult favorite.

That said, the Whisky hosts a lot of these '80s hair/glam/sleaze rock shows, and few of them are as on it as the Ron Keel Band were on Saturday night. Ron himself looked determined to enjoy the fact that, at midnight and as the date turned to April 7 2024, he was celebrating 40 years since the first ever Keel show.

So we got a career-spanner. Steeler faves like "Cold Day in Hell" sat comfortably alongside Keel classics such as "Right to Rock" and their awesome cover of Patti Smith's "Because the Night." Keel even gave a nod to his brief Black Sabbath history, performing "Mob Rules."

The RKB played for well over two hours, and not a moment of it was wasted.

Musicians, Industry Pros: Register a .MUSIC domain FREE here to protect your digital futureMusicians, songwriters, industry pros, and every person and company involved in music should protect their digital footprint by registering a .MUSIC domain. The team behind the effort is giving away 1 million unique domains between now and May 24th.....
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The Fan Economy, Expanded Rights are now a $3.5B business: What’s Next? [Mark Mulligan]Expanded artists rights - the monetization of an artists brand via merch, fan subscriptions, sponsorships, image and likeness and more. Mark Mulligan and a new MIDiA Report looks at where things stand and what's next.....
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Vulnerability is a Superpower in Songwriting AND Music MarketingAs an already busy musician, songwriter Katie Dahl is an expert on never-ending social media marketing and content creation. Luckily, the secret to success is the easiest option.....
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New US bill could make developers disclose their use of copyrighted music to train generative AI modelsAll uses of copyrighted materials would have to be registered with the Register of Copyrights under the proposed Generative AI Copyright Disclosure Act
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Sleater-Kinney at the Showbox, SeattleA surge of excitement rushed through The Showbox – one of Seattle’s most historic venues- and transformed into an electrified, hushed pause as Carrie Brownstein and Corin Tucker took the stage. The longtime founding members of Sleater-Kinney, the Pacific Northwest-based band whose brazenly bold lyrics and strikingly sharp compositions helped place “Riot Grrl” into the glossary of essential musical history, grabbed their guitars and strummed out the delicately dark intro to “Hell,” from their 2024 release Little Rope. After several stated measures highlighting Corin’s crystalline calls and Carrie’s sustained chords, the two careened into the song’s chorus. The sound of the band’s iconic incendiary wails and intricate guitar work took to the air, hit the walls, and pierced the ears of the awestruck, sold-out crowd on the first of two back-to-back shows. 

Sleater-Kinney continued to fill the venue with their distinctive sonic aberrations that featured acerbic lyrics exploring the weight of the world from internal and external vantage points. Carrie embraced the lead in the angularly structured “Needlessly Wild” (Little Rope), with Corin stepping in to create the co-fronted vocal/guitar collaboration found in many of their compositions, including the brusque “Bury Our Friends” from 2015’s No Cities to Love, and the sleek “The Center Won’t Hold,” the title track from the band’s 2019 release.  

Corin and Carrie’s clarion calls moved into a round of classics, which included “One More Hour” from 1997’s Dig Me Out and 2000’s eponymous “All Hands on the Bad One.” Together, the consecutive songs showcased Sleater-Kinney’s signature polyphonic sonic lexicon where mellifluous vocals effortlessly intertwine with complex guitar arpeggios. The band then moved toward darker poetic odes that explored multifaceted themes: confronting humanistic fears in “Hunt You Down” (Little Rope), the depths of depression with “Jumpers” (from 2005’s The Woods), and tackling precarious situations in the cautionary Brothers Grimm-meets-Aesop’s fable “The Fox” (The Woods) - each song performed with guttural beauty and biting grace.  

The hour-and-a-half show neared its dénouement as Corin unleashed herself from her guitar to perform the stunning “Untidy Creatures” (Loose Ends) alongside the adoring crowd. Following a brief interlude, Sleater-Kinney returned for the time-honored encore with a selection of songs including the critically acclaimed indie-hit “Dig Me Out” and the searing “Entertain” (The Woods). Sleater-Kinney’s impactful show made a palpable impression on the concertgoers, who emerged from The Showbox with a renewed sense of strength, prepared to tackle whatever strange, circumstantial haunts might lurk around life’s sharp corners. 

Playlist:

Hell

Needlessly Wild

Bury Our Friends

The Center Won't Hold   

Small Finds 

One More Hour  

All Hands on the Bad One  

Hunt You Down 

Hurry On Home

Start Together 

Don't Feel Right  

Slow Song 

Jumpers   

Can I Go On 

Six Mistakes   

Dress Yourself

The Fox  

Modern Girl  

Untidy Creature

Encore:

Good Things

Say It Like You Mean It

Dig Me Out

Entertain

Canada an unsung heavyweight of global music, but new Canadian content law could backfire: reportCanadian artists rank third behind only US and UK artists in their share of the world’s top 1,000 singles, a new report says
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.MUSIC is giving away 1 million free domains: Get Yours Now!.MUSIC, the new top-level domain dedicated to music, is giving away a million free MUISIC domains through May 24th.....
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