AIR Stutter Rhythmic FX Plugin by AIR Music is FREE via Black Octopus Sound
AIR Music offers the AIR Stutter rhythmic FX plugin for macOS and Windows, for free, exclusively via Black Octopus Sound. AIR Stutter is designed for creative beat manipulation, experimenting with glitchy textures, and super quick rhythmic layering. At its core, it’s a linear rhythmic gate effect for slicing up your audio. You choose how many [...]
View post: AIR Stutter Rhythmic FX Plugin by AIR Music is FREE via Black Octopus Sound

Nightfox Audio Everything Acoustic is FREE for BPB Readers until June 23
Nightfox Audio is offering the Everything Acoustic plugin, a sample-based virtual instrument for Windows and macOS, free exclusively to Bedroom Producers Blog readers until June 23. Everything Acoustic ($99 list price) comes stacked with ten deeply sampled acoustic instruments that you can layer and shape into hybrid textures. You get an inspiring selection of acoustic guitars, [...]
View post: Nightfox Audio Everything Acoustic is FREE for BPB Readers until June 23

Physical Audio introduce Tetrad Physical Audio’s new Tetrad soft synth uses a combination of physical modelling and granular synthesis to recreate the sound of the sculpture-based synth installation featured on composer and transmedia artist Gadi Sassoon'sModes of Vibration album.

Stagecraft Software offers Overdrive 5 distortion plugin for FREE
Stagecraft Software has launched a limited-time freebie deal on Overdrive 5, a distortion plugin for macOS and Windows, which is currently available for free to the first 1,000 users. Overdrive 5 features five high-quality distortion types, each with a variable scaling control that lets you dial in everything from subtle saturation to aggressive, snarling distortion. [...]
View post: Stagecraft Software offers Overdrive 5 distortion plugin for FREE

Fuse Audio Labs announce OCELOT Octaver OCELOT Octaver can be used to add some low-end weight to kick drums and basses, brighten up lacklustre synth sounds and more, all while incurring minimal latency and CPU load. 

Sound Dust PLATOSOUND DUST PLATO for Kontakt An otherworldly melodic surprise generator, shimmer machine, drone engine and all round lovely instrument: 4 HYBRID ARTICULATIONS : 2 pianos, strings and 'flute' - but not really any of these.. Intricate internal signal chain means everything interacts with everything else, often in unexpected ways. Merge and melt the unexpected into ravishing new music. Every note/sound has its own sequencer, with 9 sub-divisions per note. midi drag & drop per sequencer. OOOF: sequenced multi effect tape effects: 128 morphable presets. WOOF: sequenced EQ in 3 flavours: 128 x 3morphable presets. DOOF: sequenced dynamics multi effects in 3 flavours: 128 x 3 morphable presets. EBB: sequenced master ducking. PLATO-tudinator : handy Platonic words of wisdom for every note. for FULL version of Kontakt 6.7.1 and above. PLATO is built around a network of subtle to dramatic interactions; sounds, frequencies, transients, levels and effects all affect and can change each other in surprising ways. It is an instrument you try and steer. Fortunately the complex stuff is under the hood, and you use the intuitive GUi to wrangle new ideas and bend new sounds without getting bogged down in details. https://www.sound-dust.com/plato: 1 Kontakt instrument. 100 themed snapshots. 200 single track and sequencer presets. over 2000 samples. 4GB download. INTRO OFFER until JUNE 30th 2025 40% off. £30/$42/€35 (inc VAT). https://youtu.be/B5T7745jmG0?si=aoXWJtnrPHz44Eci Read More

Fazioli F308 Essentials from VSL VSL have just announced the launch of a new, packed-down version of their library Synchron Fazioli F308 library, which captures one of the world’s largest grand piano models. 

Cherry Audio ODC 2800Cherry Audio's ODC 2800 is an exceptional three-in-one virtual instrument that pays tribute to the legendary synth pioneer Alan R. Pearlman on the momentous 100th anniversary of his birth. This powerful synthesizer plugin draws inspiration from the revolutionary Odyssey analog duophonic synthesizer, launched by ARP Instruments in 1972. With precision-crafted and circuit-modeled DSP designs from the award-winning developer Mark Barton, ODC 2800 goes beyond merely emulating ARP's "Model 2800" synthesizer. ODC 2800 not only provides an authentic reproduction of the sound and appearance of all three versions of the original hardware, but also enhances the experience with expanded polyphony, an additional oscillator and LFO, extensive modulation options, and support for both velocity and polyphonic aftertouch. Furthermore, it features a redesigned and intuitive integrated effects suite that simplifies the sound design process and improves usability. ODC 2800 offers the ultimate sonic journey through time, connecting the past of synthesis innovation with today's essential tools for music production. ODC 2800's user interface includes matching designs for Models 2800, 2810, and 2820. You can lock the design to your favorite, and hide a lower panel for the keyboard and effects, now easily accessible through a new tray. The duophonic architecture has been upgraded to support Monophonic, Mono Legato, Duophonic, and Polyphonic modes. Users can choose from 1, 4, 8, or 16 voices, along with a unison mode. The synth supports velocity, channel aftertouch, and polyphonic aftertouch with three assignable controls. It also includes adjustable portamento settings and a CS-80-like "smart portamento" for enhanced musicality. The syncable dynamic arpeggiator includes Swing, Chance, and Feel to add degrees of randomness and a human touch to arpeggiated patterns. ODC 2800 has also been expanded to include three complete VCOs with sawtooth and square/pulse waveforms, with quantizable frequency control and extended oscillator sync routing. Each VCO has three frequency modulators (FM), including an assignable modulator offering 35 source options. Ring modulation is straightforward, and cross-modulation is now possible through assignable FM menus. The LFO options have been significantly expanded, now featuring two separate LFOs with five waveforms and options for mono and poly modes, key reset, sync, pulse width, and delay. The Sample/Hold Mixer allows for assignable modulation of the VCF and VCA, with 35 predefined modulation sources. ODC 2800's VCF emulation features three filters: the Mk I 4023 (12 dB/Oct, 2-pole), the Mk II 4035 (24 dB/Oct, 4-pole ladder), and the Mk 4075 (24 dB/Oct, 4-pole cascade). Each offers lowpass, bandpass, and highpass responses, with optional gain compensation to prevent bass loss at high resonance. A separate highpass filter is also included. The envelopes have also been expanded, with two complete ADSR envelope generators with velocity control and trimmer-style drift controls for VCO, VCF, and EG to further emulate the analog vibe. ODC 2800 features a resourceful new effects strip with accessible controls for toggling effects, soloing tracks, and adjusting the dry/wet mix. Global controls allow for enabling all effects, changing the overall level, and expanding the stereo width. The expanded effects tray includes five studio-quality pedal-style options: Distortion/EQ, Dual Phaser, Flanger/Chorus, three Delays, and five Reverbs. ODC 2800 also includes comprehensive MIDI mapping for controllers, seamless DAW integration, and over 330 professional presets across 13 categories, making it an essential virtual instrument for vintage synth lovers and modern music producers. Features: All aspects of the classic ARP Instruments Odyssey synthesizers — the 1972 Mk I 2800 series, the 1975 Mk II 2810 series, and the 1978 Mk III 2820 series — have been meticulously replicated with precise detail. Additionally, ODC 2800 has been significantly enhanced with expanded functionality and modulation options, making it the ultimate expression of the legendary synth that inspired it. Award-winning synth designer Mark Barton's proprietary DSP coding perfectly reproduces every sonic nuance and response of the original synthesizers. Introduces a new look for Cherry Audio virtual instruments with the integration of an expandable panel for more immediate access to effects settings. Over 330 professionally-designed presets in 13 categories. Monophonic, Mono Legato, Duophonic, and Polyphonic modes with 1, 4, 8, or 16 voices, and unison. Three complete VCOs, each with sawtooth and square/pulse waveforms. VCO frequency with quantize options. Extended oscillator sync routing for VCO-2 to VCO-1 or VCO-3, and VCO-2 to VCO-1 or VCO-2. Three Frequency Modulators (FM) for each VCO, including an extra assignable modulator with 35 source options. Portamento with adjustable VCO-2 and VCO-3 delay settings. Smart portamento enhances polyphonic performance in a more musical fashion. Customizable options for PPC (Proportional Pitch Control) for Pitch Bend (+/-12 semitone range) and PPC modulation (+/-7 semitone range). Noise generator with white and pink, with additional violet and brown noise colors. Ring mod, and now cross-modulation between the VCOs possible through the assignable FM menus. Greatly expanded LFO options with two discrete LFOs, each with sine, triangle, square, sawtooth, and ramp waveforms, and options for mono or poly, key reset, and sync. Additional waveshaping options with pulse width and delay amount. Sample/Hold Mixer with assignable modulation sources. VCF filter emulation based on the three versions: Rev 1 4023 (12 dB/Oct, 2-pole) from the 2800; Rev 2 4035 (24 dB/Oct, 4-pole, ladder) from the 2810; and Rev 3 4075 (24 dB/Oct, 4-pole cascade) from the 2820. Highpass filter. Lowpass, bandpass, and highpass responses on all three VCFs. Selectable gain compensation on both 4-pole filters so you don't lose bass at high resonance. Adjustable VCA drive. Individually assignable modulation controls in the mixer for VCF and VCA with 35 possible sources. Two full ADSR Envelope Generators with velocity control. Trimmer-style Drift controls for VCO, VCF, and EG. Matching UI panel designs for Models 2800, 2810, and 2820 with UI lock option and hideable panel for keyboard and effects. Syncable dynamic arpeggiator with Swing, Chance, and Feel to add degrees of randomness to arpeggiated patterns in regular, order, or random play modes. Support for velocity, channel aftertouch, and polyphonic aftertouch with compatible USB/MIDI controllers. Three distinct assignable aftertouch controls with 24 destinations. New Effects panel with persistently accessible UI controls for on/off, solo, bipolar modulator amount slider, and dry/wet mix for each effect. Global FX on/off, level, and stereo expand. Integrated studio-quality pedal-style Effects: Distortion/EQ effect, Dual 4/8-stage Phaser, Flanger/Chorus, three Echo delays, and five Reverb types. Syncable discrete Effects Modulator (FX LFO) with ramp, saw, triangle, sine, square, and random waveforms and delay. Master Volume with Limiter, and Master Tune. Standalone virtual instrument and plug-in versions included. Super accurate DAW sync. Highly optimized coding for optimal performance with ultra-low CPU load. User-adjustable oversampling control. Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global). Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize via drag. Complete documentation available directly online from the instrument or in downloadable PDF format. YouTube.com/watch?v=5piA9mnEGrI Read More

Get Native Instruments FM8 for $24.50 + FREE Wave Alchemy Pulse
Plugin Boutique is currently offering a 75% discount on FM8 by Native Instruments, reducing the price to just $24.50 (regularly $99). To sweeten the deal, you’ll also get a free copy of Wave Alchemy Pulse with any purchase this month. FM8 is a powerful FM synthesizer that’s earned its legendary status for good reason. While [...]
View post: Get Native Instruments FM8 for $24.50 + FREE Wave Alchemy Pulse

AudioKit releases Synth One J6, a FREE Virtual Synthesizer for iOS
AudioKit has launched Synth One J6, a new free synth app for iPhone and iPad, inspired by classic analog hardware and powered by machine learning. If you’ve used any of AudioKit’s previous iOS instruments (like King Of FM or Retro Piano), you’ll know they lean heavily on sample-based engines with an array of synth-style controls. [...]
View post: AudioKit releases Synth One J6, a FREE Virtual Synthesizer for iOS

Avid unveil Pro Tools 2025.6 Pro Tools 2025.6 features integration with Splice, a new AI-powered Speech-to-Text function, support for a number of industry-leading post-production tools, MIDI Editor improvements and much more. 

Samplab releases Resynthesizer AI-Powered Sample Rebuilder Plugin
Samplab has released Resynthesizer, an AI-powered plugin that transforms one-shot samples into playable instruments using an on-device synthesis engine. Resynthesizer takes a unique approach by analyzing your audio and rebuilding it from scratch. The plugin separates the harmonic and percussive elements of a sample and lets you shape each one independently. You can adjust parameters [...]
View post: Samplab releases Resynthesizer AI-Powered Sample Rebuilder Plugin

Sonicware release LIVEN Evoke Sonicware's latest LIVEN synth has been built around a new Acoustronic Flux Oscillator engine that creates sounds using a blend of acoustic and electronic sources.

Emergence Audio Flute TexturesFlute Textures is an innovative virtual instrument designed to transform the traditional flute into an expressive and evolving cinematic soundscape. This Kontakt-based library redefines what a flute can be, moving beyond conventional articulations to offer rich, atmospheric, and unpredictable textures ideal for film scoring, ambient music, and modern sound design. Through meticulous sampling and advanced engine capabilities, Flute Textures breathes life into compositions with its unique sonic palette. At the core of Flute Textures lies Emergence Audio's proprietary Infinite Motion Engine 2.0 and Non-Static Sampling. The Infinite Motion Engine allows for dynamic and continuously evolving sounds, ensuring that compositions remain fresh and inspiring. Non-Static Sampling infuses each note with subtle, unique variations over an extended period, capturing the natural complexity and richness of live instrumentation and creating a constantly evolving sonic landscape. The library was crafted from deeply sampled performances by renowned flutist Veronika Vitazkova, capturing every nuance and blending organic breathiness with profound atmospheric depth. This combination of traditional acoustic beauty and cutting-edge sound design makes Flute Textures an essential tool for composers and producers seeking to explore new sonic frontiers. Flute Textures provides a wide array of sonic possibilities, ranging from gloomy dystopian drones and sparkling trills to evocative swells and rhythmic pulses. It includes over 170 carefully designed presets that offer instant inspiration, covering diverse genres and emotional contexts. Beyond the presets, users have access to more than 100 parameters to craft their own unique sounds, including various effects like convolution reverb, delay, chorus, phaser, rotator, stereo imager, distortion, saturation, LoFi, and tape saturation. The intuitive interface and NKS compatibility ensure a seamless workflow, allowing for quick integration into existing studio setups and providing a powerful, yet accessible, tool for creative exploration. Features: Cinematic Flute Instrument: Transforms the traditional flute into an evolving, cinematic sound source. Infinite Motion Engine 2.0: Enables dynamic and continuously evolving soundscapes. Non-Static Sampling : Infuses each note with subtle, unpredictable variations for organic depth and realism. Deeply Sampled Performances: Features meticulous recordings by flutist Veronika Vitazkova. Versatile Sound Palette: Capable of creating drones, trills, swells, rhythmic pulses, and atmospheric textures. Extensive Presets: Includes over 170 inspiring presets to jumpstart your creative process. Customizable Parameters: Over 100 parameters for detailed sound design and modulation. Integrated Effects: Built-in effects such as convolution reverb, delay, chorus, distortion, and more. Kontakt Player Compatible: Runs in the free Kontakt Player or the full version of Kontakt. NKS Compatible: Offers seamless integration with Native Instruments Komplete Kontrol and Maschine hardware. Lightweight Download: A compact library size of 5.3 GB. https://youtu.be/Cmlm82-Q0fE Read More

Universal Audio launch Anthem Analog Synthesizer The latest arrival to Universal Audio range of virtual instruments delivers a powerful soft synth that's been inspired by the bold and gritty character of classic analogue synths.