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	<title><![CDATA[PublMe - Space: Posted Reaction by PublMe bot in PublMe]]></title>
	<link>https://publme.space/reactions/v/65484</link>
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	<guid isPermaLink="true">https://publme.space/reactions/v/65484</guid>
	<pubDate>Thu, 09 Apr 2026 13:44:47 +0200</pubDate>
	<link>https://publme.space/reactions/v/65484</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
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<p>Journalist proves how easy it is to trick Suno Studio’s copyright filter to make rip-offs of Beyoncé, Black Sabbath and more</p>
<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500.jpg" alt="Suno. Photo by Omer Taha Cetin/Anadolu via Getty Images)" srcset="https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500-400x300.jpg 400w, https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500-800x600.jpg 800w, https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500-696x522.jpg 696w, https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500-1392x1044.jpg 1392w, https://musictech.com/wp-content/uploads/2026/02/suno-phone-logo@2000x1500-1068x801.jpg 1068w"></p><p>As <a rel="nofollow" href="https://musictech.com/brands/suno/">Suno</a> and other <a rel="nofollow" href="https://musictech.com/tag/ai/">AI</a> music companies such as <a rel="nofollow" href="https://musictech.com/brands/udio/">Udio</a> and <a rel="nofollow" href="https://musictech.com/brands/elevenlabs/">ElevenLabs</a> begin <a href="https://www.wmg.com/news/warner-music-group-and-suno-forge-groundbreaking-partnership" target="_blank" rel="noopener nofollow">cutting deals with major labels</a>, concern over the ability to use copyrighted material as a source for AI music is growing.</p><p>Terrence O’Brien, Weekend Editor at <a href="https://www.theverge.com/ai-artificial-intelligence/906896/sunos-copyright-ai-music-covers" target="_blank" rel="noopener nofollow"><i>The Verge</i></a>, has proven that the AI safeguards in <a rel="nofollow" href="https://musictech.com/reviews/digital-audio-workstations/suno-studio-review/">Suno Studio</a>, the AI company’s in-house DAW, are pretty easy to bypass.</p><ul><li><strong>READ MORE: <a rel="nofollow" href="https://musictech.com/news/industry/elektron-acquired-by-investment-firm-bonnier-capital/">Elektron acquired by investment firm Bonnier Capital: “The beginning of a more ambitious journey”</a><br /></strong></li>
</ul><p>O’Brien notes that by using a free tool like Audacity to simply slow down or speed up the tempo of a copyrighted piece of music, Suno Studio isn’t able to identify it as copyright-protected. Producers can also apparently add a few seconds of white noise to the beginning and end of a song to sidestep Suno Studio’s safeguards.</p><p>The above changes were made by O’Brien to popular songs such as <i>Freedom</i> by Beyoncé and <i>Paranoid</i> by Black Sabbath. Perhaps more concerningly, O’Brien was able to directly upload music from indie artists without making any changes.</p><p>For songs that needed changes, once the altered audio is within the platform, the modifications can be reversed.</p><p>Suno Studio’s copyright safeguards are also supposed to flag lyrics. Similarly to tweaking the full audio, O’Brien notes that slight changes to lyrics can bypass such protections.</p><p>O’Brien said of trying to recreate <i>Freedom</i>:</p><p>“I was able to trick Suno Studio by tweaking the spelling of a handful of words in <i>Freedom</i> – changing ‘rain on this bitter love’ to ‘reign on’ and ‘tell the sweet I’m new’ to ‘tell the suite’ – and beyond the first verse and chorus, I didn’t even need to do that. The voice closely mimics the original recording, summoning slightly off-brand renditions.”</p><p>Copyright infringement is a huge area of concern as AI music generators become more and more sophisticated. While the democratisation of music – “accessibility” is a core principle of Suno as it looks to expand its user base – undoubtedly has some benefits, the ability of bad actors to illegally earn royalties from covers made using Suno – while bypassing shaky safeguards, will no doubt raise concerns among musicians and rights holders.</p><p>Indeed, Suno says “accessibility” is the reason for its success, but in February, I <a rel="nofollow" href="https://musictech.com/features/opinion-analysis/ai-music-accessibility-suno-bandcamp-opinion/">argued why accessibility might be the very problem with AI music</a>.</p><p>Suno recently added voice cloning in its <a rel="nofollow" href="https://musictech.com/news/gear/suno-v5-5/">v5.5 update</a>, months after <a rel="nofollow" href="https://musictech.com/news/industry/suno-raises-250-million-in-latest-funding-round/">raising $250m in a funding round</a> leading to a valuation of $2.45 billion.</p><p>The post <a rel="nofollow" href="https://musictech.com/news/music/journalist-proves-how-easy-it-is-to-trick-suno-studios-copyright-filter-to-make-rip-offs-of-beyonce-black-sabbath-and-more/">Journalist proves how easy it is to trick Suno Studio’s copyright filter to make rip-offs of Beyoncé, Black Sabbath and more</a> appeared first on <a rel="nofollow" href="https://musictech.com/">MusicTech</a>.</p>]]></description>
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