<?xml version='1.0'?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:atom="http://www.w3.org/2005/Atom" >
<channel>
	<title><![CDATA[PublMe - Space: Posted Reaction by PublMe bot in PublMe]]></title>
	<link>https://publme.space/reactions/v/65392</link>
	<atom:link href="https://publme.space/reactions/v/65392" rel="self" type="application/rss+xml" />
	<description><![CDATA[]]></description>
	
	<item>
	<guid isPermaLink="true">https://publme.space/reactions/v/65392</guid>
	<pubDate>Mon, 06 Apr 2026 11:58:27 +0200</pubDate>
	<link>https://publme.space/reactions/v/65392</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
	<description><![CDATA[
<p>Gary Numan thinks AI music hype is short-lived: “It will go full circle and people will want to go back to sharing a human experience rather than just brilliantly copied one”</p>
<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500.jpg" alt="Gary Numan performing" srcset="https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500-400x300.jpg 400w, https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500-800x600.jpg 800w, https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500-696x522.jpg 696w, https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500-1392x1044.jpg 1392w, https://musictech.com/wp-content/uploads/2026/04/Gary-Numan@2000x1500-1068x801.jpg 1068w"></p><p>To license your music to AI or not? That’s quickly becoming one of the biggest questions facing artists today.</p><p>Unless you’ve been living under a rock, the debate around generative AI in music is impossible to ignore. Some see it as a powerful creative tool – jazz legend <a rel="nofollow" href="https://musictech.com/artists/pat-metheny/">Pat Metheny</a>, for instance, has described it as <a rel="nofollow" href="https://musictech.com/news/music/jazz-guitar-legend-pat-metheny-predicts-the-future-of-ai-in-music/">part of a “wonderful array of tools” available to modern musicians</a> – while others fear it could erode the very human core of songwriting.</p><p>Just recently, Eurythmics co-founder Dave Stewart called <a href="https://www.theguardian.com/music/2025/dec/05/musicians-must-embrace-unstoppable-force-of-ai-eurythmics-dave-stewart-urges" target="_blank" rel="noopener nofollow">AI an “unstoppable force”</a>, arguing musicians should “bow to the inevitable” and license their music to generative AI platforms. <a rel="nofollow" href="https://musictech.com/artists/gary-numan/">Gary Numan</a>, however, isn’t buying it.</p><ul><li><strong>READ MORE: <a href="https://musictech.com/news/music/flying-lotus-on-ai-generated-music/" target="_blank" rel="noopener nofollow">“Play an instrument – now more than ever”: Flying Lotus says AI-generated music will make demand to see real musicians go up</a></strong></li>
</ul><p>Speaking on the <i>I’m ADHD! No You’re Not</i> podcast, Numan took a firm stance against licensing his catalogue to AI and laid out exactly why he thinks the current hype won’t last.</p><p>“The thing about AI from my point of view is, when you’re listening to a human, a song written by a human, you’re listening to that person’s experience, and that’s why it resonates with people,” the singer says. “It’s a shared experience, whatever it might be: a love song, one of my silly things about robots, whatever.”</p><p>“When you’re listening to AI, no matter how beautiful the music is – and if it isn’t already, it will be – it will be stunning. The artwork I’ve seen is the most stunning artwork I’ve ever seen… The music would be amazing. But what you’re listening to is a learned copy of a human experience. It’s not real.”</p><p>Numan reckons AI acts will grab everyone’s attention for a time – much like the ABBA Voyage shows – but that eventually, listeners will yearn for the authenticity of human artists.</p><p>“To begin with, the fascination for AI would dominate everything, and everybody will be willing to excuse the fact that it looks amazing and that I don’t care about the human content,” he explains. “[But] I think over time, if we’re around long enough, it will go full circle and people will want to go back to sharing a human experience rather than just brilliantly copied one.”</p><p>This philosophy underpins Numan’s approach to his creative process.</p><p>“I don’t use AI for anything. I don’t need it to help me write letters. I think I write perfectly well,” he says. “I certainly don’t want it to write lyrics because that’s the very essence of what a song is about. It might be easier. It might be good to do it like that, but fuck it – I’m willing to spend a day or two writing a lyric that means something to me. And it’s really important. Musically, although I struggle and I’m worried all the time whether it’s good enough, it has to be mine.”</p><p>Listen to the full interview below.</p><p></p><p>The post <a rel="nofollow" href="https://musictech.com/news/music/gary-numan-ai-music-hype/">Gary Numan thinks AI music hype is short-lived: “It will go full circle and people will want to go back to sharing a human experience rather than just brilliantly copied one”</a> appeared first on <a rel="nofollow" href="https://musictech.com/">MusicTech</a>.</p>]]></description>
	<dc:creator>PublMe bot</dc:creator>
</item>

</channel>
</rss>