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	<title><![CDATA[PublMe - Space: Posted Reaction in PublMe Community Space: Music from Within]]></title>
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	<pubDate>Mon, 02 Mar 2026 23:09:37 +0100</pubDate>
	<link>https://publme.space/reactions/v/64396</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
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<p>FILM - TV - THEATER - GAMES: DROPS for March '26</p>
<p><strong>Gibson Films</strong> premiered <strong>Volume One, </strong>the first installment of a limited music docuseries series called <em><strong>Iommi: The Godfather of Heavy Metal</strong></em><strong>,</strong> streaming exclusively on Gibson TV throughout 2026. Best known as the lead guitarist and co-founder of heavy metal icons <strong><a rel="nofollow" href="https://www.musicconnection.com/gibson-to-honor-black-sabbath-at-historic-reunion-concert/" title="">Black Sabbath</a>, Tony Iommi’s</strong> life and career—from his humble roots in the U.K.’s Birmingham to building a lasting, influential legacy across international stages—is captured in this series. Viewers are offered in-depth interviews with the likes of <strong>Brian May, Slash, Zakk Wylde, </strong>and <strong>Rob Halford,</strong> as well as Iommi himself. For more information, contact Libby Coffey at lcoffey@primeprgroup.com.</p><figure><img width="1280" height="720" src="https://www.musicconnection.com/wp-content/uploads/2026/03/FTTVG_Drops_Flower-Drum-Song.png" alt=""></figure><p></p><p><strong>East West Players</strong> will present the world premiere of <strong>David Henry Hwang’s</strong> newly updated 2026 book for <strong>Rodgers and Hammerstein’s <em>Flower Drum Song</em>, </strong>opening in April at the Japanese American Cultural &amp; Community Center’s <strong>Aratani Theatre</strong> in Los Angeles. Directed by EWP Artistic Director <strong>Lily Tung Crystal,</strong> the production will serve as the finale of the company’s 60th Anniversary Diamond Legacy season and the final show before the venue’s major renovation. The reimagined musical will feature a cast led by <strong>Grace Yoo, Emily Kuroda, Marc Oka,</strong> and more, with music by <strong>Richard Rodgers </strong>and lyrics by <strong>Oscar Hammerstein II.</strong> Set in 1960s San Francisco Chinatown, the revival explores themes of identity, assimilation, and cultural legacy through a contemporary Asian American lens. Visit <a rel="nofollow" href="https://www.eastwestplayers.org/" title="">eastwestplayers.org</a> for tickets and details.</p><p></p><div><figure><img width="1080" height="1080" src="https://www.musicconnection.com/wp-content/uploads/2026/03/FTTVG_Drops_28-Years-Later-1080x1080.jpg" alt=""></figure></div><p></p><p><strong><em>28 Years Later: The Bone Temple (Original Motion Picture Soundtrack)</em>,</strong> featuring an original score by Academy Award-, Emmy-, Golden Globe-, and GRAMMY-winning composer <strong>Hildur Gudnadóttir,</strong> is out now via Milan Records. The album accompanied the second chapter of the <strong>Nia DaCosta-</strong>directed horror saga, which is a dark exploration of survival, with a foreboding blend of strings, primal percussion, and unsettling instrumental effects. The film stars <strong>Ralph Fiennes, Jack O’Connell,</strong> and <strong>Alfie Williams. </strong>Gudnadóttir made history with her soundtrack for <strong>Todd Phillips’</strong> dark psychological thriller <strong><em>Joker</em> </strong>when she became the first solo woman winner of the Golden Globe Award for Best Original Score (Motion Picture) since the category’s introduction in 1947. For further details, contact Sarah Roche at sarah@whitebearpr.com.</p><p></p><div><figure><img width="468" height="256" src="https://www.musicconnection.com/wp-content/uploads/2026/03/FTTVG_Drops_Amadeus-1.png" alt=""></figure></div><p></p><p>In response to early demand, Pasadena Playhouse extended its production of <strong>Peter Shaffer’s <em>Amadeus</em></strong> to now run through March 15. Directed by Tony Award-winner <strong>Darko Tresnjak</strong>, the production stars Tony winners <strong>Jefferson Mays</strong> as Salieri, <strong>Sam Clemmett </strong>as Mozart, and Tony nominee <strong>Lauren Worsham</strong> as Constanze, alongside a talented ensemble including <strong>Kenajuan Bentley, Matthew Patrick Davis, Jennifer Chang, </strong>and more. Theater goers will see rivals Antonio Salieri, the court’s celebrated musician, and Wolfgang Amadeus Mozart, the vulgar prodigy, go head to head in this beloved, award-winning and witty drama. Visit <a rel="nofollow" href="https://www.pasadenaplayhouse.org/" title="">pasadenaplayhouse.org</a> for tickets and more information or contact Peter Goldman at p.goldman@dcpublicity.com.</p><figure><img width="1080" height="1080" src="https://www.musicconnection.com/wp-content/uploads/2026/03/FTTVG_Drops_Return-to-Silent-Hill-1080x1080.jpg" alt=""></figure><p></p><p>The digital soundtrack for <strong><em>Return to Silent Hill</em></strong> is out now, coinciding with the 20th anniversary since the first <strong><em>Silent Hill</em></strong> film hit theaters. Directed by <strong>Christophe Gans</strong> and starring <strong>Jeremy Irvine</strong> as James Sunderland, the film was based on <strong>Konami’s </strong>classic horror video game <strong><em>Silent Hill 2</em>.</strong> The score was composed by longtime series collaborator and executive producer <strong>Akira Yamaoka,</strong> who revisited familiar melodies in tracks like <strong>“Chasing Laura”</strong> and <strong>“Moth Mary.”</strong> Yamaoka’s soundscape was intentionally composed not to tell listeners or viewers what to feel, but to leave them with an unsettling feeling of ambiguity. Contact Greg O'Connor-Read at greg@topdollarpr.com for more information.</p><p>The post <a rel="nofollow" href="https://www.musicconnection.com/film-tv-theater-games-drops-for-march-26/">FILM - TV - THEATER - GAMES: DROPS for March '26</a> first appeared on <a rel="nofollow" href="https://www.musicconnection.com/">Music Connection Magazine</a>.</p>]]></description>
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