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	<title><![CDATA[PublMe - Space: Posted Reaction by PublMe bot in PublMe]]></title>
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	<guid isPermaLink="true">https://publme.space/reactions/v/46472</guid>
	<pubDate>Fri, 01 Nov 2024 11:35:54 +0100</pubDate>
	<link>https://publme.space/reactions/v/46472</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
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<p>“I promise you there’s no way to get AI to make a U2 track”: The Edge on his experiments with AI compositions</p>
<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500.jpg" alt="The Edge of U2" srcset="https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500-400x300.jpg 400w, https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500-800x600.jpg 800w, https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500-696x522.jpg 696w, https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500-1392x1044.jpg 1392w, https://musictech.com/wp-content/uploads/2024/11/The-Edge-U2@2000x1500-1068x801.jpg 1068w"></p><p><a rel="nofollow" href="https://musictech.com/artists/u2/">U2</a> guitarist The Edge recently revealed that he’s been experimenting with AI compositions — though getting an actual, usable U2 track out of it is probably unlikely anytime soon, so he says.</p><p>In the latest issue of <a href="https://recordcollectormag.com/" target="_blank" rel="noopener nofollow"><em>Record Collector</em></a> magazine, the musician speaks about the limitations of artificial intelligence in capturing the essence of the band’s music and the way the members “don’t have a genre we can rely on”.</p><ul><li><strong>READ MORE: <a href="https://musictech.com/news/music/jaden-smith-new-project/" target="_blank" rel="noopener nofollow">“It’s our job to question the algorithms”: Jaden Smith on experimenting with release methods</a></strong></li>
</ul><p>“There’s no such thing as the U2 genre,” says The Edge.</p><p>Asked what it might be if there were one, he replies: “Well, I can tell you this. Recently I’ve been experimenting with AI composition, and I promise you there is no way to get AI to make a U2 track. It doesn’t exist!”</p><p>AI has undeniably made remarkable strides in music composition over the past few years. Platforms like <a rel="nofollow" href="https://musictech.com/brands/suno/">Suno</a> and <a rel="nofollow" href="https://musictech.com/brands/udio/">Udio</a> allow musicians to generate original compositions by analysing vast datasets of existing music. Much like ChatGPT for music, these tools enable users to create songs with just a simple text prompt — often yielding surprising and, at times, uncanny results, despite the <a rel="nofollow" href="https://musictech.com/news/industry/record-labels-sue-ai-suno-copyright-infringement-sony-warner-umg/">legal minefield they potentially navigate</a>.</p><p>That said, The Edge’s scepticism about AI’s ability to produce a U2 track highlights a critical point: While AI can generate music, commenters remark that it lacks the emotional depth and artistry that human musicians bring to their craft.</p><p>In other news, U2 have announced the release of <i>How to Re-Assemble an Atomic Bomb</i>, in celebration of the 20th anniversary of their 2004 album <i>How to Dismantle an Atomic Bomb</i>.</p><p>Arriving on 29 November, the new album will feature ten unreleased tracks that were recorded during the original sessions for <i>Dismantle</i>.</p><p>“What you’re getting on this shadow album is that raw energy of discovery, the visceral impact of the music, a sonic narrative, a moment in time, the exploration and interaction of four musicians playing together in a room,” says The Edge. “This is the pure U2 drop.”</p><p><em><strong>Read more <a rel="nofollow" href="https://musictech.com/news">music technology news</a>. </strong></em></p><p>The post <a rel="nofollow" href="https://musictech.com/news/music/the-edge-u2-ai-song/">“I promise you there’s no way to get AI to make a U2 track”: The Edge on his experiments with AI compositions</a> appeared first on <a rel="nofollow" href="https://musictech.com/">MusicTech</a>.</p>]]></description>
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