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	<title><![CDATA[PublMe - Space: Posted Reaction in PublMe Community Space: Music from Within]]></title>
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	<pubDate>Mon, 28 Oct 2024 00:00:00 +0100</pubDate>
	<link>https://publme.space/reactions/v/46264</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
	<description><![CDATA[
<p>New Music Critique: RGB</p>
<p><strong>Contact: </strong>bari@pressherepublicity.com</p><p><strong>Web:</strong> <a rel="nofollow" href="https://www.listentorgb.com/" title="">listentorgb.com</a></p><p><strong>Seeking:</strong> Booking, Sync Placements, Film/TV          </p><p><strong>Style: </strong>Pop</p><p>Not only are all tracks from RGB's latest<em> A Place for Lovers</em> "radio ready," it begs the question, "How are they not already huge?" The Tel Aviv-based trio (singer-songwriters Roy Bartal, Noi Agam, keyboardist/ producer Alon Kenett) are full-fledged artists, mindful of showing off their whole package--well-branded, with talent to boot. </p><p>Bartal and Agam trade off as lead vocalists, often dueting and evoking the push and pull of love, heartbreak, pain and rejoice. "Parties," "Pain Killer," "Meeting at Dawn," "Pizza" and "Green" are standouts. When Bartal sings falsetto, Agam is crooning from the soul and the bass is bumping, RGB is a RBD (real big deal).    </p><p>The post <a rel="nofollow" href="https://www.musicconnection.com/new-music-critique-rgb/">New Music Critique: RGB</a> first appeared on <a rel="nofollow" href="https://www.musicconnection.com/">Music Connection Magazine</a>.</p>]]></description>
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