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	<pubDate>Tue, 02 Apr 2024 12:47:58 +0200</pubDate>
	<link>https://publme.space/reactions/v/37450</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
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<p>“With artificial intelligence, digital filters and programming, I wanted to go back to real instruments”: Beyoncé on her new album Cowboy Carter</p>
<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500.jpg" alt="Beyoncé" srcset="https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500-400x300.jpg 400w, https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500-800x600.jpg 800w, https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500-696x522.jpg 696w, https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500-1392x1044.jpg 1392w, https://musictech.com/wp-content/uploads/2024/04/Beyonce@2000x1500-1068x801.jpg 1068w"></p><p>Beyoncé has revealed a desire to “go back to real instruments” in a discussion about the making of her latest album <em>Cowboy Carter</em>.</p><p>The superstar’s long-awaited 27-track project was released on 29 March, and it’s already shattering records on streaming platforms, with Spotify announcing it as their “most-streamed album in a single day in 2024 so far.”</p><ul><li><strong>READ MORE: <a rel="nofollow" href="https://musictech.com/news/music/grimes-the-potential-of-ai-in-music/">“When everyone has the same tools that can make professional quality stuff, then you get to see the actual talent really rise to the top”: Grimes discusses the potential of AI in music</a></strong></li>
</ul><p>Referring to <em>Cowboy Carter</em> — which spent 5 years in the making — as “the best music I’ve ever made”, Queen Bey said in a press release that “It’s been really great to have the time and the grace to be able to take my time with it.”</p><p>“I was initially going to put <i>Cowboy Carter</i> out first, but with the pandemic, there was too much heaviness in the world. We wanted to dance. We deserved to dance. But I had to trust God’s timing.”</p><p>Delving into her artistic process and some of the nuts and bolts of the album’s production, Beyoncé explained: “The joy of creating music is that there are no rules. The more I see the world evolving the more I felt a deeper connection to purity.”</p><p>“With artificial intelligence and digital filters and programming, I wanted to go back to real instruments, and I used very old ones.”</p><p>“I didn’t want some layers of instruments like strings, especially guitars, and organs perfectly in tune. I kept some songs raw and leaned into folk.”</p><p>According to Beyoncé, there was a concerted effort to infuse her music with elements from the natural world: “All the sounds were so organic and human, everyday things like the wind, snaps and even the sound of birds and chickens, the sounds of nature,” she said.</p><p></p><p>The singer’s comment on the growing presence of artificial intelligence in music is the latest in a string of voices — both in and out of the industry — who have expressed at the minimum some degree of scepticism toward the explosion of AI-generated music.</p><p>Rick Beato, for one, has <a rel="nofollow" href="https://musictech.com/news/industry/rick-beato-shares-worries-about-ai/">voiced his concerns about the technology and its impact on artists in the future</a>, saying: “There will be things that people like, that are created by AI, and there will be people 20 years from now, [saying], ‘Oh, I much prefer AI Rolling Stones than [the original] Rolling Stones. That’s just gonna be a thing.”</p><p>The post <a rel="nofollow" href="https://musictech.com/news/music/i-wanted-to-go-back-to-real-instruments-beyonce-cowboy-carter/">“With artificial intelligence, digital filters and programming, I wanted to go back to real instruments”: Beyoncé on her new album Cowboy Carter</a> appeared first on <a rel="nofollow" href="https://musictech.com/">MusicTech</a>.</p>]]></description>
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