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	<title><![CDATA[PublMe - Space: Posted Reaction in PublMe Community Space: Music from Within]]></title>
	<link>https://publme.space/reactions/v/37176</link>
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	<guid isPermaLink="true">https://publme.space/reactions/v/37176</guid>
	<pubDate>Tue, 26 Mar 2024 20:32:05 +0100</pubDate>
	<link>https://publme.space/reactions/v/37176</link>
	<title><![CDATA[Posted Reaction by PublMe bot in PublMe]]></title>
	<description><![CDATA[
<p>Green Day at the House of Blues, Anaheim</p>
<p>In mid-March, punk powerhouse Green Day was neck-deep into its four-day <em>Saviors</em> rehearsal at Anaheim’s 2,200-capacity House of Blues. But playing to a virtually vacant venue wasn’t a particularly telling measure of the band’s bearing and it lacked the all-important audience energy. So the trio elected to put up an actual show and at noon on Monday, March 18, a pop-up at Anaheim’s House of Blues was announced for the following day. Like a Taylor Swift show squared, the intimate jamboree sold out in minutes rather than hours.</p><p>In a case of tasty timing, Punk opener Ultra Q – fronted by Billie Joe Armstrong's youngest son Jakob – had released its second record <em>Empty Eddy</em> on March 13. Following the solid thirty-minute warm-up set, Green Day took the stage and launched into “American Idiot,” its de facto signature anthem. Throughout the hundred-minute, thirty-song performance, <em>every</em> track from the fifteen-song <em>Saviors</em> was played, virtually in order, save for the title track. “Saviors” was delivered second, which marked its live debut, as did several other first-time tunes, as below. Selections from <em>American Idiot</em> and <em>Dookie</em> – which this year celebrate their twentieth and thirtieth anniversaries, respectively – were likewise sprinkled in. Accordingly, bangers such as “Homecoming,” “She” and show-closer “Minority” electrified show-goers. Spotted in the audience was Green Day’s longtime master mix engineer and friend to Music Connection Chris Lord-Alge accompanied by his assistant Brian Judd.</p><p>After the post-show house lights had come up and the crowd had thinned, drummer Tré Cool doled out drumsticks from the stage, which had the feeling of an after-dinner mint. The remaining flock of fans couldn’t have been served a daintier dessert. Produced by longtime collaborator Rob Cavallo alongside the band, <em>Saviors</em> dropped on January 19. The world tour kicks off May 30 in Spain.</p><figure><figure><img width="807" height="605" data-id="133564" src="https://www.musicconnection.com/wp-content/uploads/2024/03/GreenDayPutsUpAPop-up6.jpg" alt=""></figure><figure><img width="807" height="605" data-id="133565" src="https://www.musicconnection.com/wp-content/uploads/2024/03/GreenDayPutsUpAPop-up5.jpg" alt=""></figure><figure><img width="807" height="605" data-id="133566" src="https://www.musicconnection.com/wp-content/uploads/2024/03/GreenDayPutsUpAPop-up4.jpg" alt=""></figure></figure><p></p><figure><figure><img width="807" height="605" data-id="133567" src="https://www.musicconnection.com/wp-content/uploads/2024/03/GreenDayPutsUpAPop-up3.jpg" alt=""></figure><figure><img width="807" height="605" data-id="133568" src="https://www.musicconnection.com/wp-content/uploads/2024/03/GreenDayPutsUpAPop-up2.jpg" alt=""></figure><figure><img width="807" height="605" data-id="133569" src="https://www.musicconnection.com/wp-content/uploads/2024/03/GreenDayPutsUpAPop-up.jpg" alt=""></figure></figure><p><strong>Setlist</strong></p><p>American Idiot</p><p>Saviors</p><p>The American Dream Is Killing Me</p><p>Look Ma, No Brains!</p><p>Bobby Sox</p><p>One Eyed Bastard</p><p>Dilemma</p><p>1981</p><p>Goodnight Adeline</p><p>Coma City</p><p>Corvette Summer</p><p>Suzie Chapstick</p><p>Strange Days Are Here to Stay</p><p>Living in the ’20s</p><p>Father to a Son</p><p>Fancy Sauce</p><p>Burnout</p><p>Chump</p><p>Pulling Teeth</p><p>Coming Clean</p><p>She</p><p>F.O.D.</p><p>Give Me Novacaine</p><p>She’s a Rebel</p><p>Extraordinary Girl</p><p>Letterbomb</p><p>Homecoming</p><p>Whatsername</p><p>Encore:</p><p>All By Myself</p><p>Minority</p>]]></description>
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