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	<pubDate>Sun, 17 Mar 2024 02:49:56 +0100</pubDate>
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<p>Jazz Harmonic Analysis using Mapping Tonal Harmony Pro 10</p>
<p>In this latest version of <a rel="nofollow" href="https://mdecks.com/mapharmony.phtml">Mapping Tonal Harmony Pro</a>, we’ve expanded the arrows and brackets analysis to include several new symbols that highlight some of the most commonly encountered harmonic progressions and cadences in jazz tunes, addressing some of the omissions from previous versions. These <strong>new arrows and brackets</strong> will undoubtedly enhance the analysis, providing a more comprehensive understanding of the harmonic structure within the tunes. Let’s look at what each of these symbols indicate.</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png"><img width="1024" height="562" data-attachment-id="2785" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-9-47-03e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png" data-orig-size="2638,1450" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-9.47.03e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=1022 1022w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=2045 2045w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.47.03e280afpm.png?w=768 768w"></a></figure><p>It’s important to understand that we have two types of lines: <strong>Solid &amp; Dashed</strong>, and two types of symbols: <strong>Arrows &amp; Brackets</strong>.</p><p><strong>Solid Arrow</strong>: a dominant chord that resolves a perfect fifth down.<br />(i.e. V7 to Imaj7, V7/II to II-7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png"><img width="922" height="284" data-attachment-id="2739" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-09-56e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png" data-orig-size="922,284" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.09.56e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png?w=922" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png 922w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.09.56e280afpm.png?w=768 768w"></a></figure><hr><p><strong>Dashed Arrow</strong>: a dominant chord that resolves down a half-step.<br />(i.e. subV7 to Imaj7, subV7/II to II-7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png"><img width="1024" height="243" data-attachment-id="2740" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-10-55e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png" data-orig-size="1234,294" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.10.55e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=1020 1020w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.10.55e280afpm.png 1234w"></a></figure><hr><p><strong>Solid Bracket</strong>: a m7 (or m7b5) chord that goes to a dominant chord a perfect fifth down.<br />(i.e. II-7 to V7, II-7/II to V7/II)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png"><img width="1024" height="229" data-attachment-id="2741" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-11-25e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png" data-orig-size="1232,276" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.11.25e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.11.25e280afpm.png 1232w"></a></figure><hr><p><strong>Dashed Bracket</strong>: a m7 (or m7b5) chord that goes to a dominant chord a half-step down.<br />(i.e. II-7 to subV7, II-7/II to subV7/II, subII-7 to V7/II)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png"><img width="1024" height="148" data-attachment-id="2743" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-12-08e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png" data-orig-size="1856,270" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.12.08e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=1017 1017w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.08e280afpm.png 1856w"></a></figure><hr><p><strong>Headless Straight Arrow</strong>: a maj7 (or maj6) chord that turns into a m7 chord<br />(i.e. Imaj7 to II-7/bVII, IVmaj7 to IV-7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png"><img width="1024" height="208" data-attachment-id="2745" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-12-51e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png" data-orig-size="1246,254" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.12.51e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=1020 1020w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.12.51e280afpm.png 1246w"></a></figure><hr><p><strong>Solid Step Arrow</strong>: a dominant chord that resolves a whole step up to a maj7 (maj6) or minor chord<br />(i.e. bVII7 to Imaj7, V7 to VI-7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png"><img width="1024" height="235" data-attachment-id="2747" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-13-39e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png" data-orig-size="1254,288" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.13.39e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.13.39e280afpm.png 1254w"></a></figure><hr><p><strong>Solid Circled Arrow</strong>: a maj7 (maj6) chord that goes to a chord a perfect fifth down.<br />(i.e. Imaj7 to IVmaj7, IVmaj7 to bVII7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png"><img width="1024" height="239" data-attachment-id="2748" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-14-20e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png" data-orig-size="1238,290" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.14.20e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=1020 1020w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.14.20e280afpm.png 1238w"></a></figure><hr><p><strong>Solid Circled Bracke</strong>t: a m7 (m7b5) that goes to another m7 (m7b5) a perfect fifth down.<br />(i.e. III-7 to VI-7, VI-7 to II-7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png"><img width="1024" height="241" data-attachment-id="2750" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-15-03e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png" data-orig-size="1256,296" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.15.03e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.15.03e280afpm.png 1256w"></a></figure><hr><p><strong>Dashed Circled Bracket</strong>: a m7 (m7b5) that goes to another m7 (m7b5) a half-step down.<br />(i.e. parallel m7 chords)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png"><img width="1024" height="223" data-attachment-id="2752" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-16-06e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png" data-orig-size="1236,270" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.16.06e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=1021 1021w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.06e280afpm.png 1236w"></a></figure><hr><p><strong>Dashed to Solid Broken Arrow</strong>: a dominant chord that goes to another dominant chord a tritone away:<br />(i.e. V7 to subV7, subV7 to V7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png"><img width="1024" height="240" data-attachment-id="2754" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-16-46e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png" data-orig-size="1228,288" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.16.46e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.16.46e280afpm.png 1228w"></a></figure><hr><p><strong>Delayed Resolutions &amp; 1st Ending Resolutions</strong><br />The new version of Mapping Tonal Harmony Pro also shows delayed resolutions and 1st ending resolutions.</p><p>In the following image the A7b9 resolves to the D7b9 but there’s a related II interpolation (the Am7b5) before it. Now you can see this clearly indicated in the <strong>solid arrow</strong> from A7b9 to D7b9</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png"><img width="1024" height="280" data-attachment-id="2756" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-19-42e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png" data-orig-size="1132,310" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.19.42e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.19.42e280afpm.png 1132w"></a></figure><p>And look at the last chord G7 inside the 1st ending. Now it shows the solid arrow, indicating that the 1st ending is a turnaround progression back to the Cmaj7 at the beginning of the A section.</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png"><img width="1024" height="305" data-attachment-id="2758" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-22-37e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png" data-orig-size="2006,598" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.22.37e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.22.37e280afpm.png 2006w"></a></figure><hr><h2>Examples in actual tunes</h2><p>Although these new symbols might seem like an overkill, they are actually really useful since they reveal harmonic paths often used in jazz progressions.</p><p><strong>Stella By Starlight</strong>: In measure 4, the F7 actually resolves to the Bb7 (<strong>delayed solid arrow</strong>), but it also turns into a minor chord (<strong>headless straight arrow</strong>). This Fm7 (on m.5) is acting as a related II interpolation for the Bb7 (the V7/IV) targeting Ebmaj7.</p><p>And Ebmaj7 (the IV) keeps resolving down a perfect fifth (<strong>solid circled arrow</strong>) to an Ab7#11 (the bVII7) which resolves as expected, a whole step up (<strong>solid step arrow</strong>) to the Imaj7 (Bbmaj7) creating a <strong>backdoor progression</strong>.</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png"><img width="1024" height="733" data-attachment-id="2761" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-25-20e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png" data-orig-size="2036,1458" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.25.20e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.25.20e280afpm.png 2036w"></a></figure><p>Now the arrows &amp; brackets paint a much better picture of the progression–once one’s learned them of course.</p><hr><p>In <strong>Christmas Time Is Here</strong>, the descending parallel m7 chords, do not make much sense when looking at the roman numerals, but now the <strong>dashed circled </strong><b>bracket</b> immediately shows this harmonic movement.</p><p>And we can also see the–so iconic–backdoor bVII7 to Imaj7 in measure 2 (Eb7#11 to Fmaj7)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png"><img width="1024" height="405" data-attachment-id="2763" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-1-50-43e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png" data-orig-size="2026,802" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-1.50.43e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-1.50.43e280afpm.png 2026w"></a></figure><hr><p>In <strong>Are You Real</strong> the subV7 (Db7#11) was interpolated to delay the resolution of the V7 chord (G7) in measure 12 (<strong>dashed to solid broken arrow</strong>)</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png"><img width="1024" height="613" data-attachment-id="2773" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-9-40-28e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png" data-orig-size="1944,1164" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-9.40.28e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.40.28e280afpm.png 1944w"></a></figure><hr><p>And in <strong>Have You Met Miss Jones?</strong> we can clearly see the 3-6-2-5 progression (consecutive <strong>solid circled brackets</strong>) measures 5-8</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png"><img width="1024" height="625" data-attachment-id="2774" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-9-41-16e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png" data-orig-size="1916,1170" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-9.41.16e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.41.16e280afpm.png 1916w"></a></figure><hr><p><strong>Color-coded chart</strong><br />We’ve also added the option to toggle on/off the color-coded staff. Just click on the color button (red) to enable or disable color on the chart.</p><p>With color</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png"><img width="1024" height="137" data-attachment-id="2778" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/tempa1/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png" data-orig-size="1250,168" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="tempa1" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=1019 1019w, https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/tempa1.png 1250w"></a></figure><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png"><img width="1024" height="146" data-attachment-id="2775" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-9-42-23e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png" data-orig-size="1860,266" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-9.42.23e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.42.23e280afpm.png 1860w"></a></figure><p>without color</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png"><img width="1024" height="143" data-attachment-id="2780" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-9-45-03e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png" data-orig-size="1902,266" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-9.45.03e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.45.03e280afpm.png 1902w"></a></figure><hr><p><strong>Minor chord symbols</strong><br />You can also change the notation for minor chords to show m or – (Cm7 or C-7). Just lick on the “circled m” or “circled -” to toggle between the two ways of notation.</p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/tempb.png"><img width="1024" height="137" data-attachment-id="2782" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/tempb/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/tempb.png" data-orig-size="1250,168" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="tempb" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=1019 1019w, https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/tempb.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/tempb.png 1250w"></a></figure><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png"><img width="1024" height="197" data-attachment-id="2783" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/screenshot-2024-03-16-at-9-46-06e280afpm/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png" data-orig-size="1338,258" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="screenshot-2024-03-16-at-9.46.06e280afpm" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=300" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=736" src="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=1024" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=1024 1024w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=150 150w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=300 300w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png?w=768 768w, https://mdecksmusic.files.wordpress.com/2024/03/screenshot-2024-03-16-at-9.46.06e280afpm.png 1338w"></a></figure><hr><p>Mapping Tonal Harmony Pro is available for macOS and iOS. Learn more on <a rel="nofollow" href="https://mdecks.com/mapharmony.phtml">https://mdecks.com/mapharmony.phtml</a></p><figure><a rel="nofollow" href="https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png"><img width="171" height="171" data-attachment-id="2786" data-permalink="https://mdecksmusic.com/2024/03/16/jazz-harmonic-analysis-using-mapping-tonal-harmony-pro-10/mthicon_256x256universal402x/" data-orig-file="https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png" data-orig-size="171,171" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="mthicon_256x256universal402x" data-image-description="" data-image-caption="" data-medium-file="https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png?w=171" data-large-file="https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png?w=171" src="https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png?w=171" alt="" srcset="https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png 171w, https://mdecksmusic.files.wordpress.com/2024/03/mthicon_256x256universal402x.png?w=150 150w"></a></figure>]]></description>
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